“Ghost in the Machine” is the granddaddy of government cover-up: Half-Caff X-Files. I say Half-Caff because they aren’t paranormal and neither are they, well, normal. These are the cases that explore the realm of science fiction rather than horror. They are not lesser than, by any means. Only they aren’t a part of the mytharc and they aren’t MOTW episodes either. Usually, these types of episodes focus on the dangers of technology, biotech or otherwise. In this case, it’s artificial intelligence.
Dear Reader, may I draw your attention to the glance Mulder gives Scully when Jerry mentions that they were former partners. He looks for the world as though Scully had met a past lover of his, as though she wouldn’t want to know there had ever been anyone before her. On her part, Scully drops her friendly smile. Mulder and Scully may not be romantic, or even overly attached at this point, but they are most definitely territorial. Mulder even tries to downplay his “previous relationship” by saying they merely “worked together.” You can’t hide your sordid past forever, Mulder.
Jerry’s entrance is where Mulder’s demonstrable loyalty to his friends, even when they don’t deserve it, becomes evident. He may not make attachments easily, but once he does he’s loath to let go. He shows these same feelings toward Diana Fowley multiple times and even toward Skinner in “Redux II” (5×2) when Scully has him pegged as a traitor. To an extent, this aspect of his personality is what allows Phoebe Green to take advantage of him again in “Fire” (1×11), though that time he walks into her web willingly. It’s akin to his fascination with outcast females, no doubt tied to the loss of Samantha. He’d rather not lose again.
There’s something nostalgic about the scene where Scully tries to get Mulder to seek help. The character dynamics here hold true pretty much to the end of the series, which is a feat. Scully argues the irrationality of Mulder’s premise, Mulder sticks to it anyway. Scully tries to get Mulder to take a reasonable course of action, Mulder ignores her and goes off without any real explanation. Good times.
Unlike “Shadows” (1×5) before it, at least we can say we now know more about our two favorite agents.
And the Verdict is…
This one is largely ignored by the fandom and generally panned, but without its precedent, we wouldn’t have had episodes like “F. Emasculata” (2×22), “Wetwired” (3×23), and the some kind of awesome “The Pine Bluff Variant” (5×18). We’ll call it a government cover-up and not a conspiracy so as not to confuse it with the series mythology, which it’s only tied to by a very loose shoestring. Little grey-green men aren’t so much as hinted at.
There is a lot more meat here than I remembered eating the first 4 or so times I watched it. I would now go so far as to say it’s underrated. True, the visuals and electronics are dated, that can’t be helped. Also, the “villain”, the AI is sadly lacking in personality. The series missed an opportunity to create a truly frightening sentient computer, an error they later rectified in “Kill Switch” (5×11).
But there are a few golden moments hiding in this episode. How about Scully kicking butt and taking names? What fun when she walks in all bruised and beaten up, ready to shoot. She, of course, does the improper thing and sides with Mulder over the government. Pull a gun on her partner, will you? We haven’t seen Scully like this since “Deep Throat” (1×1).
Speaking of Deep Throat, Deep Throat himself makes a welcome return, proving that if dangerous technology exists the government will try to buy it and hide it. After all, you can’t trust the government. You can only trust Mulder and Scully.
Mulder and Scully had to pay $8.50 for that rinky-dink lunch? Psh.
Apparently, TPTB don’t bother reprimanding these two agents at this stage of the game. They escaped censure in Deep Throat and it appears that the Department of Defense won’t be taking revenge on them either.
What are Phone Freaks, Data Travelers, and Techno Anarchists? The times, they have a-changed.
What’s with all the strips of paper in the air conditioning shaft? It looks more like a garbage disposal.
More importantly, Scully shooting bullets inside the shaft seems equally as suicidal as her throwing herself directly into the fan.
Scully: How come you two went your separate ways?
Mulder: I’m a pain in the a** to work with.
Mulder: I’m not a pain in the a**?