Roland 1×22: Did you catch the bouquet?


The “once an episode” pose.

This is a very quiet X-File, so quiet that you almost can’t hear it nearly 20 years later. Mulder and Scully never even have to run or break out their flashlights. Neither of them is ever in danger. Considering the immediately preceding episode “Born Again” (1×21) wasn’t much louder, it’s a sad lull before the season finale.

That being said, I don’t think this is a bad episode just a lackluster one. The performances by Kerry Sandomirsky and Zeljko Ivanek in particular are outstanding. His performance is heartbreaking. It’s too bad the story didn’t give him a better vehicle to shine in. But how could the story hold our attention when it’s based on a faulty foundation?

Arthur Grable is not dead. Really? He physically died and then was frozen. He wasn’t preserved alive a la Han Solo to merely be defrosted at a later date. Blood had stopped flowing through his brain long before it made it into stasis. A plot where Arthur Grable came back from the dead would have actually made more sense. Mulder claims that Arthur Grable is in a state that no one has ever come back from. To which I say, “Really?” yet again. He’s a dead man whose body was (partially) preserved. He’s no more than a modern day mummy.

Later on a similar plot line pops up in the second season. In “The Calusari” (2×21) we have another set of twin brothers separated by death, only the writers don’t bother to pretend that the plot is anything more than the ghost of one brother possessing another. But unlike “The Calusari”, which was more like a traditional horror story, Roland is introspective, focusing on the power of an unbreakable bond between siblings. Till death do us not part.

Contrived plots aside, with such memorable performances, why doesn’t this episode garner more attention? I think it goes back to it being one of the quieter episodes of the series. It’s a character study, not an adventure or even a drama. Watching the wind machine whir hardly sets one’s pulse to racing.

And the Verdict is…

It’s an age-old tale. Here we have competitive, socially maladapted scientists killing and stealing research in order to be recognized as one of the masters of the universe. I know I saw this once on an episode of Law & Order, minus the paranormal aspect, of course.

Stripped down to its underwear this episode is just another “haunting” courtesy of a dead man seeking vengeance, all too similar in tone and pacing to both “Born Again” and “Shadows” (1×5). The main advantage it has over the other two is the quality of the acting. The halfway house romance between Tracy and Roland is neither cloying nor pitying, a hard line to walk.

As a bonus, a series of crumbs fall off the table of Scully’s personal life. This is the first we hear of any siblings, none of whom made an appearance in “Beyond the Sea” (1×12).  Two brothers? No wonder she’s tough.

Bottom line: It’s an under-appreciated episode that’s still underwhelming.

C+

Nagging Questions:

I don’t know if I’m right or wrong, but there’s a particular strain of music used for the first time in this episode that Mark Snow continues to use for some time to come. It’s eerie and eccentric. In other words, it’s wonderfully X-Filesian. I’d love to know for sure if this was its debut.

Mulder and Scully got to the crime scene THAT fast? Morning on the west coast is already afternoon on the east.  At best, if the body was found in the morning Pacific Time, Mulder and Scully shouldn’t have been there until that evening. That’s a six hour flight at best. When do the writers start letting our dynamic duo show up a day or two after the fact? Season 2?

What do you want to bet the other man in Mulder’s dream was CSM? OK, so they probably didn’t mean it that way. But in hindsight, it’s a valid interpretation.

Random Thoughts:

There was a time when Scully got as many punch lines as Mulder.

Best Quotes:

Mulder: So how was the wedding?
Scully: You mean the part where the groom passed out or the dog bit the drummer?
Mulder: Did you catch the bouquet?
Scully: Maybe.

————–

Mulder: I don’t think they’ll be performing this experiment on Beakman’s World.

————–

Mulder: You got a brother, don’t you, Scully?
Scully: Yeah, I’ve got an older one and a younger one.
Mulder: Well have you ever thought about calling one of them all day long and then all of a sudden the phone rings and it’s one of them calling you?
Scully: Does this pitch somehow end with a way for me to lower my long distance charges?

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7 responses to “Roland 1×22: Did you catch the bouquet?

  1. I’ve really been enjoying your write-ups! I just watched ‘Roland’ tonight for the first time in years.

    Hope you get back to writing about the finale, as well as future seasons!

    • Thank you so much!! Actually, as I sit here I have The Erlenmeyer Flask and a steaming hot latte right in front of me. All I need to get by. :o)

  2. Cryogenic brain controlling twin brother from afar! What’s not to like about this one. At least it has some good ideas. You sound like Scully in paragraph 3.

  3. This episode was awesome (freezing someone’s head in liquid nitrogen, smashing it and callously stomping on a shattered ear? Brutal) and the actor playing Roland did a masterful autistic job.

    I almost had to turn it off when Tracey came on though, seemed like she was just taking the piss.

    • Zeljko Ivanek did a fantastic job, as did the actor who played Harold in “Elegy”. Coming from someone with a close family member who’s autistic, playing mental disabilities is a super fine line to walk.

  4. Oh yeah and why did they cryogenic tank start magically heating up right at the end without any manual intervention? Did Arthur’s brain do it itself from inside the tank? Seemed awfully convenient..

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