The Calusari 2×21: My grandfather used to take that for his stomach.

99 Luft Balloons.

Once again we start of with a dysfunctional family. (By way of an aside, I once read someone complain that The X-Files is full of unhappy nuclear families and that the only happy ones we see get destroyed. I thumbed my nose at that before, but I’m starting to think whoever wrote that isn’t far off base. I don’t think the show has anything against happy families, but it wouldn’t be frightening if we only saw happy families that stayed happy, would it?) What kind of parents, one might ask, would mindlessly take a balloon from one child and preferentially give it to another? No wonder he becomes something out of The Omen. The creepiest part of the episode is that opening teaser: Kid has balloon. Parents give balloon away. Kid wants balloon. Kid gets balloon.

As Season 2 progresses, it’s getting easier to recognize subcategories of X-Files. We’ve seen poltergeist tales before. Heck, Season 1 was on ghost overload. Even episodes that ostensibly didn’t involve a ghost like “Space” (1×8), “Born Again” (1×21), and “Roland” (1×22), were just ghost stories called by another name to see if they would smell as sweet. Probably because of that Season 2 has only had one poltergeist plot so far, “Excelsis Dei” (2×11).

This episode reminds me a lot of “Roland”, not because they’re similar in style or substance but because they have the same basic foundation: twin brothers who can’t truly be divided, even by death. I have to say that “The Calusari” tackles the premise more successfully, mainly because it’s a straight up mini horror flick. It has all the requisite elements of the genre; spooky kid, witch-like old woman, secret rituals, bloody deaths, and, of course, a malignant spirit back from the grave. In fact, out of all the examples I listed above, and a few I didn’t list, this is the most satisfying episode in terms of the fear factor.

The fear factor is really all “The Calusari” exists for. This isn’t an introspective character study or story to further the mythology, Mulder and Scully don’t grow either as individuals or in their partnership, there isn’t an underlying message about societal ills or a warning about human hubris. Even “Die Hand Die Verletz” (2×14) had an embedded caution not to play with fire. No, with this one the writers are just trying to freak you out… which isn’t a bad thing. I’m impressed even now at how The X-Files pulls off something of this scale in roughly 43 minutes.  To get this kind of a scare you generally have to go to a movie theater and buy an obscenely priced ticket.

Since there isn’t too much going on here I don’t have much left to add except for a note about what little characterization we do get to see. As much as I love her, Scully’s arrogance is a somewhat grating in this episode. It is funny in parts. Some of the cracks she gets to make in her scenes with the newly introduced Dr. Chuck Burks are cute. But her usual reactions to Mulder’s theories lack the “eye-rolling” attitude she displays here.  Her resistance is all a set up, however, and the payoff is that in the end she finally sees something paranormal happen with her own eyes rather than just hear the tale told later by Mulder. We never do hear her final reaction so who knows whether she explained it all away or whether remembering the events of “Beyond the Sea” (1×12) she ultimately admitted to herself that “ghosties” and “beasties” exist.

…And the Verdict is:

Not to belabor the point but you really don’t want to look too hard for anything meaningful in this episode. It’s not that deep. It is good, though, for what it is. And if there are still quite a few questions by the end, well, that’s what The X-Files is famous for. Not only that, it wouldn’t be a “horror film” if it made any real sense.

If “The Calusari” has a weakness it’s that they threw everything into this episode except their fuzzy slippers. It wasn’t necessary to use every cliché the horror genre has in order to scare folks. Wait. I take that back. They didn’t use every cliché. There were no over-sexualized teenagers killed in the making of this episode.



Mulder’s trained in psychology but he’s never heard of Munchausen by Proxy? I realize they have to come up with devices to get information to the audience without obvious exposition, but at least come up with something a little more clever.

If we go by what we learn later in the episode, the bratty child in the teaser isn’t necessarily Charlie but his dead brother Michael posing as him. But if that’s the case, who was the poltergeist pulling the balloon? Or if it is Charlie, why so cold? He doesn’t react so dispassionately when his father and grandmother are killed and the nurse attacked. Instead, he pleads with Michael to stop.

Random Thoughts:

The 90s projectile vomited all over that house.

Best Quotes:

Mulder: You see this is a helium balloon here, and the one thing I did learn in kindergarten is when you let them go they float up, up and away. But you see this is moving away from him. Horizontally.
Scully: Did you learn about wind in kindergarten?


Chuck: In 1979 I witnessed a guru named Sai Baba create an entire feast out of thin air.
Scully: Too bad you didn’t take a picture. You could have run it through your computer and seen the entire Last Supper.


Calusari: The evil that is here has always been. It has gone by different names through history. Cain, Lucifer, Hitler. It does not care if it kills one boy or a million men. If you try to stop us the blood will be on your hands.

14 responses to “The Calusari 2×21: My grandfather used to take that for his stomach.

  1. I agree with the analysis that the episode is 1-D. I don’t get as much out of the horror element on its own, so I wasn’t wild about it. The ending in the hospital room was engaging TV, however.

    Was I the only one who recognized the kid as Kevin Morris from Conduit?! They dyed his hair, but it’s for sure him.

    I missed that there was no investigative aspect; our agents were just along for the ride, barely affecting the events that unfolded around them. They are our proxies, and if they just stand around, it essentially does amount to watching a well-made horror movie.

  2. I liked it I suppose, it’s effective in a horror movie kind of way, but I always found the teaser a little crass and emotionally exploitative if I’m honest. Good music from Mark Snow though and the exorcism scene is powerfully done.

  3. I lol’ed so hard at your “99 luft ballons” comment on the picture !

  4. Carol Mincey

    No dis respect to CC and F S at all I comment them on their genius for creating the X files. I cannot for the life of me understand why they did not have a team of experts to check over the stories for accuracy. Why didn’t or wasn’t their someone on board to assist them with the info needed. No doubt they came up with some interesting and genius ideas, disgusting, Home, scary,
    but sometimes, I wonder was he so trying to keep everything so pg14 that he lost what he could have done. Those kids would have watched the show if it was rated R! It was that good!

  5. I have to confess something; I used this episode as my visual aid during my biology thesis/paper/thingy my senior year in high school. Sadly, my paper was not based on demons or being inhabited by spirits; it was about Munchausen by Proxy, but I got to use the clip where Scully explains what it is as part of the paper. Fortunately, my teacher was a friend of mine at the time and understood my desperate need to incorporate X-Files into my everyday life.

    This episode will always have a bit of a special place in my heart because of that.

  6. ah HA! Salome DID study film. Your secrets are slowly revealed… 😉

  7. The teaser really gets me since I have a son who’s now about the age of Teddy…shudder…
    I never realized that our agents didn’t do much investigative work in that episode, thanks for pointing that out.

  8. Does Mulder ever run into this demon again? At the end of the episode the priest kept saying the demon recognized him.

  9. Pingback: Invocation 8×6: I wish I could believe that. | Musings of an X-Phile

  10. “Once again we start of with a dysfunctional family.”

    This is something I’ve really been noticing on this re-watch. Nuclear families do not, generally, come off well on The X-Files. As you say, I don’t think that’s because the show has anything against happy families, but, because families are supposed to be safe, loving spaces, any danger that comes from within the family carries an extra degree of horror. As a result of this, the series is particularly good at highlighting the dark side of familial relationships. And, while that doesn’t mean that all nuclear families are bad, it is a reminder not to romanticise them.

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