Orison 7×7: Every moment of every day, the Devil waits for but an instant.


You need a buff and polish.

Certainly Mulder’s unrelenting search for the truth is but a thinly veiled allegory of man’s search for God. That’s well understood. But what surprises me this rewatch is that Season 7 has the most consistent religious overtones of any season so far. Oddly enough, it mostly presents these vague spiritual musings outside of the mytharc, the mythological journey toward the truth that provided the backbone of the show for so many years.

Millennium” (7×5) dallied in psuedo-Biblical eschatology, but it wasn’t the end of the world, just the end of the Mulder and Scully’s platonic relationship.

The Goldberg Variation” (7×2) presented one question: What if there’s a rhyme and reason to seeming happenstance? And even a second: What if something or someone is working seemingly bad circumstances into something good? “Providence,” I believe the old folks called it.

Well, “Orison” is all about the problem of evil. Fitting, since it’s predecessor, “Irresistible” (2×13), delivered the frightening message that inexplicable evil exists. “Orison” asks the follow up question, “Can evil be redeemed?”

The answer?

In the opening teaser, titular character Rev. Orison tells us that we surely can be redeemed. All we have to do is repent and ask God to forgive us. He says this while hypnotizing into submission the most captive audience imaginable: a room full of prison inmates.

For all he encourages repentance, Rev. Orison doesn’t appear to factor free will into his personal theology of redemption. Are the prisoners set free from evil and delivered to good if they’re brainwashed into saying, “Amen?” Certainly they’re not committing evil acts any more. Does that mean they’re delivered? Is evil merely a behavioral problem?

Donnie Pfaster behaves. He behaves in prison because he has to. When he kills, he kills because he wants to, not because his momma didn’t nurse him and his daddy drank.

Prisoners that can’t be “converted” through hypnotism, like Donnie, Rev. Orison is ordered by God to set free and then kill. After all, if they can’t be corrected why should they sit in a Correctional Facility? Perhaps the fear of death will finally produce in them a repentant and humble heart and they can be redeemed right at the very end. Perhaps. Unfortunately for Rev. Orison, he’s encountered an evil that can be neither controlled nor killed and certainly not redeemed, at least not by him. Donnie Pfaster is evil incarnate, possessed by the Devil himself.

Now, if you ask Mulder, it’s Rev. Orison who’s continually seeking out personal redemption by killing men more evil than himself. God has nothing to do with it. Because, you see, Mulder believes in almost anything and everything but the Bible. Once again, like in “Revelations” (3×11) and “All Souls” (5×17), Scully has a religious experience and Mulder, for all his farfetched supernatural theories, meets her openness with sneering skepticism. Until he hears from God himself, that is.

Scully too would initially agree with him about Rev. Orison and Donnie Pfaster. There is evil. Donnie Pfaster is evil. But his is a human evil and there’s nothing mysterious about it. If anything, the lack of seeming reason or cause behind his evil is what makes him all the more frightening.

Scully: I promise you there is nothing supernatural about this man. Donnie Pfaster is just plain evil.

At least, that’s the conclusion we’re left with at the end of “Irresistible.” Maybe there was a question of Donnie appearing almost devil-like in Scully’s terrified eyes when he held her captive, but the frightening idea that props up “Irresistible” is that sometimes there is no deeper, mysterious, or fantastic explanation for the evil that we see other than that evil exists and it exists inside of decidedly inconspicuous looking men.

But is there an evil behind man’s evil?

Those pesky signs and that creepy song keep pointing Scully to such a new conclusion.

On the surface, the supernatural elements of this episode would seem to undermine the decidedly unsupernatural scariness of “Irresistible” and the Donnie Pfaster character. But I think it all fits together something like this: There is Evil. And that Evil acts for no other purpose than to steal, kill and destroy. It doesn’t need any deeper motive. It doesn’t need a trigger. And sometimes that Evil works through men. Usually men with two given names.

Evil, pure evil, has no desire for redemption, only destruction.

So there you go.


I remember being a little nervous when this first aired, because as I’ve said before, “Irresistible” is the episode that made me an X-Phile. And frankly, sequels are disappointing 90% of the time.

This fell into that 90% for me. Oh, I don’t dislike it. In fact, it’s the best episode of the season so far. But it can’t be its predecessor and it’s no Godfather II. Still, the acting is great. Scott Wilson is amazing and does a lot with relatively little screen time. And if you haven’t seen him in The Walking Dead by now, you should have. What’s wrong with you?

Nick Chinlund gets to vamp up the Donnie Pfaster character now that he isn’t posing as a regular Joe and everyone knows he’s a murderous psychopath.

Rob Bowman’s directing is cinematic and intense.

And Gillian Anderson’s expressions, as always, say everything without her having to say a word.

So I’m not jumping up and down like I did at the end of “Irresistible”. But I’m not bored. No, I’m not bored.


Red Wigs:

Scully’s been through a lot… a lot, a lot… since Donnie Pfaster brought her to tears back in Season 2. I’m so glad this time around she gets to put up more of a fight. It was believable when he overpowered her the first time. But if it had happened just as easily the second time it would have been anti-climactic.

How did Mulder know what the hypnosis cue was???

Donnie’s clothing toss over the shoulder in the opening teaser is a bit heavy-handed. I would have preferred it if he just casually walked out a la Keyser Söze.

This was not a clean shooting. I feel like in the earlier days of the show Scully would have had to answer for, or at least be questioned about, killing Donnie Pfaster in subsequent episodes, even if the event did happen in a MOTW. Mulder’s, “You can’t judge yourself,” just doesn’t cut it as the final word.

Scully shooting Donnie should feel satisfying. Instead it feels anticlimactic.

Now, this has nothing to do with the problem of evil… I don’t think… but I felt compelled to post this little bit of hilarity. Here’s the original version of “Don’t Look Any Further”. You’ll never watch this episode the same way again. FYI, awesome song for hustle dancing.


You’re welcome.

Best Quotes:

Rev. Orison: You receive the Lord’s grace and this is your thanks.


Rev. Orison: Everything has a reason, Scout. Everything on God’s earth.


Scully: How do you prove that someone isn’t being directed by God? You don’t believe that it happens?

Mulder: God is a spectator, Scully. He just reads the box scores.

Scully: I don’t believe that.


Mulder: You know, it’s funny. When all is said and done there’s not much mystery in murder.


19 responses to “Orison 7×7: Every moment of every day, the Devil waits for but an instant.

  1. Welcome back. You’ve been missed.

  2. I think there’s a great episode hiding in this one, and it’s a shame they didn’t make it. Scott Wilson was great (Hershel is still my favorite thing about TWD) and I liked the concept of his character quite a bit. I think if they had told a story with him as the main villain, they’d have been on to something. Donnie Pfaster, though… Irresistible is a perfect episode on its own, and this revisit only takes away from it. Donnie really doesn’t do anything new in this episode, except turn into a demon – and in my opinion, that undercuts the story that was told in Irresistible.

    • Yesss! Scott Wilson as the villain!! Is it too late to work that into Season 10?

      But I think you’re onto something. Orison was the eponymous character, yet we hardly knew him before Donnie killed him. And the whole foundation of Irresistible is basically retuned into a more typically supernatural X-File. Or perhaps, the foundation beneath the foundation is revealed. But it’s less revelatory than the original.

  3. If you put a gun to my head and made me chose, I think I’d have to say this is my favorite episode. I know a lot of people think Scully killing Donnie at the end was a cheap shot that cheapens her integrity, but I never saw it that way. I always took Donnie to actually be so evil that he actually does become an Earthly manifestation of the Devil and Scully kills that Devil. And I love that the shot is in slow motion and silent with you only hearing the gun shot after the blackout.

    And, can I just say, I started watching the show (no pun intended) religiously with the season 5 re-runs on FX, which was after Scully returns to the Church. So when I first went back and saw the early seasons, I was like, “wait. Scully used to be a borderline atheist?! How did that happen?!”

    • I never thought it cheapened Scully, since she was acting on God’s orders, and all. I did wonder that the F.B.I. never seemed to question her on it. But maybe Mulder lied for her to make it seem like Donnie was more of an immediate threat at the moment she shot him. I stayed away from the internet, for the most part, when it came to The X-Files. So I didn’t realize fans thought Scully shouldn’t have done it until several years ago.

      Scully really had a spiritual evolution. Then “all things” came along and she jumped species.

  4. “jumped species.” FANTASTIC!!!

  5. The episode’s version of Don’t Looks Any Further is haunting. It made Scully’s abduction scene that much more heavy; as if the music was non-diegetic as opposed to diegetic.

    • My memory is fuzzy, but I think they recorded a special version of the song specifically for this episode. It does feel like it blends in and out of the soundtrack. You’re not always sure if the characters are hearing it when you do.

  6. “And sometimes that Evil works through men. Usually men with two given names.”

    You’re my favorite.

  7. Wow, that video…thank you 🙂

  8. Really enjoyed the tension of this episode. Pfaster character is very unsettling. Cool demeanor, flat affect….yikes!

    You are right that this is the best episode so far in 7. Have yet to see the rest but am working on it. Mulder was certainly on the sidelines with the ongoing religious awakening or questions Scully has experienced recently.

    Thumbs up.

    • What’s cool about this episode is that it’s almost a character continuation of “Revelations”. Then, Scully heard from God, Mulder mocked her and was clueless. Here, Scully heard from God, Mulder mocked her and got a clue. It’s not a “come to Jesus” moment, but Mulder caught the sign and listened to it.

  9. A point I thought of later on after watching this.

    How come good ol’ Lucifer only pops into Donnie at that moment he’s to be executed by the pastor and not after he’s caught by Mulder and shot by Scully? Or did I miss the point?

    • I don’t think it’s Lucifer popping in so much as popping out. Pfaster is either possessed or is a demon in human form and his true nature is being revealed. In “Irresistible” it was more vague; what Scully saw could have been a representation of his evil nature and not a direct demonic influence at all.

  10. This is the best stand alone episode of season 7 so far. I appreciate the darker direction the last three episodes have taken. I quite like sequel episodes as they provide continuity for the series. Tooms 1X21 was by far the best sequel, and remains so.

    There are some good creepy moments to this episode, but again moments, as opposed to the whole episode. The first half is a bit slow. The problem for me is they wasted time about another character, Reverend Orison, we don’t know or care about, for a lot of the episode. The whole point of this episode was to bring back Donnie Phaster.

    This is the episode that should have been the Millennium crossover. Just imagine that they got Frank Black involved helping to track Donnie down. It would have been perfect. The story would fit perfectly with the Millennium series, and with The X Files. Irresistible was an episode that pre-figured Millennium, and it would have been a nice way for that to come full circle. They even got a Millenium script writer to pen this episode. Such a wasted opportunity. Maybe they got the idea to bring Donnie back after the filiming of Millennium 7X05.

    Nice to see Scully’s new hair cut, I like it. Although we got a glimpse in 7X04.

    Why does the prostitute in the dinner say I’m outta here, and then proceed to get in the car with Donnie after the diner incident?

    It’s good to hear Scully’s backstory about her childhood.

    I was thinking about the song choice used. Maybe ‘Red Right Hand’ would have been good, the song Duane Barry was playing when he abducted her?

    Irresistible was a bit vague when it came to Donnie’s demonic attributes. I would have preferred if they kept it that way. What I’m not sure I like is the episode implies he is evil / a demon who can morph at will. In Irresistible when his appearance changed it was a subjective experience of the captive.


  11. Oh my god! Call me slow, but I never thought that Pfaster was a “devil” in irresistible. I actually thought it was Scully’s memory playing tricks on her because of her abduction, that she was remembering her captors rather than seeing real Donnie. Reading these comments, I actually had to look up Donnie changing into Devil and was so surprised that this is what it was! 😱

You Know You Want To...

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s