We’re back to the mythology…. and we’re back to the voiceovers. But we’ll focus on the mythology.
I’m happy to see Skinner and Scully both getting their hands dirty in the search for Mulder. They get a lot of action in “Without” if not a lot of answers. Actually, I said we’re going to discuss the mythology, but even as I think about discussing it I realize that there isn’t much to discuss. Have we learned anything besides the fact that the Alien Bounty Hunters are keeping watch over Mulder for some unknown reason that never will be known?
What are the aliens doing to Mulder and why are they doing it? We were lead to believe in “Requiem” (7×22) that the aliens are trying to eliminate human test subjects who, it’s implied, were successfully turned into alien hybrids or something close to it. Mulder himself said the abductees wouldn’t be coming back this time.
Well then, why torture Mulder? Why not kill him and get it over with? I guess I’ll have to be satisfied with assuming that the aliens want more information from his body, and that Chris Carter wanted an excuse to strap David Duchovny naked to a cold chair for hours. Because.
Another plot device that makes me scratch my head is the inexplicable cliff jump.
Doggett has an Alien Bounty Hunter cornered in front of a steep cliff, an Alien Bounty Hunter that he didn’t know was an Alien Bounty Hunter because it was disguised as Mulder, not that he would have believed it was an Alien Bounty Hunter regardless. The Alien Bounty Hunter has a hold of Gibson Praise, living proof of alien life, evidence of which the Alien Colonists are systematically trying to destroy. Since Alien Bounty Hunters can’t be stopped by mere guns, but only by an exact kill shot to the back of the neck, I trust I wasn’t alone in assuming that our next shot of Doggett would be him wallowing on the ground as the Alien Bounty Hunter escaped with Gibson.
That would make sense, but sometimes Chris Carter forgoes making sense and skips straight ahead to improbable plot points. Suffice it to say, instead of killing Doggett or at the very least knocking him down, the Alien Bounty Hunter lets go of Gibson, his prize catch, and runs away from Doggett by jumping off the cliff. Because.
I guess it was just too soon to lose Doggett.
Doggett gets time to grow… eventually. For this episode, his main purpose is to trigger Scully’s spontaneous combustion into Mulder. Scully, having once been much like Doggett herself, a firm believer in facts and evidence, is a little embarrassed at times having to give voice to Mulder’s theories in front of Doggett. She’s not used to having to defend the crazy.
I do get it. Scully’s grieving and is trying to compensate for the loss of Mulder by keeping him alive through his theories, which is why when she’s not acting embarrassed and unsure of herself she’s defensive and defiant.
It’s nice to see some emotions from Scully other than her usual poker face. She’s all over the place mentally: confident, confused, scared, angry, suspicious, frustrated. She’s determined to find Mulder, who is frustratingly closer than she knows, but she doesn’t know where to start. She’s so desperate, she resorts to wandering the desert in the dark calling his name. If she keeps this up, she really will turn into Mulder, at least the unbalanced part of him.
Anyway, this new plot gives Gillian Anderson more to do and I’m glad for that. Though it must be said that Scully Tears will get old past a point.
But hey, at least she has a new partner to help her dry those tears! Despite Chris Carter’s initial protestations, Mulder is replaced. Doggett is officially assigned to the X-Files by the end of the episode, whereupon he immediately starts making sweet overtures of peace to Scully. I know Scully’s shocked and horrified face speaks for us all.
I’m tempted to say, and I will say, that this was much ado about nothing. No progress whatsoever has been made in the search for Mulder. We’re really just rehashing the Alien Bounty Hunter idea and milking it for all it’s worth, not that I at all mind the chance to see ABH Scully and ABH Skinner. Those tense scenes of suspicion where no one knows who the impostor is are the best parts of the episode. And Scully and Skinner haven’t had the chance to face off with guns since “Paper Clip” (3×2).
But the lack of any kind of progression leads me to believe that there will be no all-encompassing search for Mulder this season. If there were, Carter would have had Scully employ the talents of the yet still living Gibson Praise. After all, he’s a human homing device. No, it looks like we’re not on the hunt but instead we’re settling down for a wait.
If that final scene between Scully and the Alien Bounty Hunter tells us anything, it’s that she can’t be running around like this anymore. She has Mulder’s baby spawn to think about. She’s also come to realize, maybe after wandering the desert at night, that even if by some miracle she stumbles upon Mulder’s spaceship, what then? I guess the thing to do is to settle back into a routine working on the X-Files and see what new clues drop into our laps.
There is one tantalizing mythology tidbit, though. Doggett is likely being set up to fail by Kersh. And we already suspect that Kersh is obeying orders from somebody. So who is it who wants Mulder hunted down but not found, and why?
I’m not overly impressed by all this shuffling of the feet without any forward motion. But I am curious, which is more than I could say for all of Season 7.
And you know that creepy shot of all those Alien Bounty Hunters surrounding Mulder’s torture chair? Enjoy it. You’ll never see Mr. Bounty Hunter again.
How did Gibson Praise’s hideout miraculously cover itself back up with sand after his friend Thea went down in it? For that matter, what kind of secret hideout has a door you can’t hide? And just because Thea is deaf doesn’t make her stupid. I can’t believe she traveled for miles to a secret den because of an imminent threat, yet never once looked behind her to see someone following her in the open desert.
Scully: I promise. I’m not going to let anything bad happen to you.
Gibson Praise: You said that to me once before.