Release 9×16: I wanted to get close to you, Agent Doggett.


Luke, he is your father.

I’m happy for Doggett. And I’m even happier for myself because I think I’ve finally learned to like this episode. I don’t know how readily I’d pop it in the player to pass the time, but I think this episode reads much better when you’re not impatiently waiting for the show to end and Mulder to return and big explosions and stuff.

The thing that turned me off of it initially, besides great expectations, was the same thing that threatened to turn me off again this time. I realize that Rudolph Hayes is supposed to be annoying. Heck, if Reyes says you’re annoying, you’re annoying. But the actor’s brutal attempts to be weird gnaw at me at moments.

Still, I’m trying to milk the show for all it’s worth this rewatch so I pushed past that and was rewarded. It had to be done, really. Out of our two new leads Doggett has been around longer and has more of a backstory. Consequently, we’re more invested in him as an audience. It would have been a real disappointment if after all the time we’ve spent getting to know and like him, we never found out what happened to his son.

Because as I said way back in “Patience” (8×4), I do really like Doggett. I liked him back when the show first aired too. He’s a very well fleshed out character and from what I’ve read, Robert Patrick genuinely enjoyed playing Doggett and was happy to be a part of The X-Files. I think that shows in his performances.

Also, we needed to wind things up with Follmer as well who we haven’t seen since “Providence” (9×11). I don’t know if I completely buy that he would give up everything, including his career and his precious image, to kill Regali in such an open and indefensible way. But it’s good that he has something genuinely emotional to play. I’m only realizing now that he was never really utilized as a character other than to get in the way of the leads and create tension for them. In other words, he took over Kersh’s role from last season. He’s just slimier while he does it.

And, as usual, the most interesting parts of Reyes are connected to Doggett’s history. We finally find out why she dumped Follmer. It turns out that she caught him in bed with the mob. And one of the mob guys he was connected to was an associate of the man who kidnapped Luke. The mob associate that was paying off Follmer caught the kidnapper abusing Luke, and after being seen by Luke, kills him. That’s quite an interesting set of coincidences, isn’t it? I’ve played Six Degrees of Kevin Bacon more convincingly.

Though that’s not nearly as much of a stretch as a mentally unstable man successfully applying for and getting into the F.B.I. Academy under a false identity, past all the interviews, psychological testing and background checks, then contacting Doggett on the down low and managing to finagle a class with Doggett’s good friend and former partner. :::sings::: I smell a contriva-nce!

Okay, the force-fit the puzzle pieces together. But it still works somehow and I think Patrick’s performance has a lot to do with that. Doggett is the believer this episode, yet that sudden turnaround works because you can feel that he wants to believe. He needs closure at all costs and he’s willing to open his mind to get it. The same thing that caused him to be stubborn in the face of extreme possibilities, the death of his son, is now the thing that drives him to consider them.

And Reyes’ about face in the face of his about face I find a welcome change of pace. Again, it doesn’t come out of nowhere. You can tell that what’s driving her is the overwhelming desire to protect Doggett from more pain. She’s a good fit for him. Even Doggett’s ex-wife thinks so.

Which is a little awkward, no? But if they didn’t make it clear that Doggett’s first marriage was peacefully over, it would be impossible to both introduce his ex-wife who he’s been through so much with and push him into Reyes’ arms by the end of the episode. There would be romantic drama when we’re supposed to be focused on finding Luke.

In that regard, I find the last two scenes especially satisfying. Doggett hears what happens to his son’s death directly from the killer. And I really must have been into it this time because by that time I was calmly encouraging Doggett to shoot him. “Go ahead. No court in this land will convict you.” But Follmer takes the decision out of mine and Doggett’s hands.

So see? Everyone’s free. Regali’s freed from his body. Follmer’s free from the psychological noose around his neck. Doggett and the former Mrs. Doggett are free to mourn their son. And Doggett is free to propel himself into Reyes’ arms somewhere on what is clearly the California coast. Everybody’s free to wear sunscreen.


I know it’s too little, too late but I’ll say it again: These cases that are less fantastical are better suited to Doggett and Reyes. There’s nothing truly paranormal happening here. No, we don’t get all the answers as to how Rudolph Hayes made the connections. But it’s entirely possible that his obsessive Schizophrenia allowed him insight that others missed because of his almost inhuman focus. It’s crazy but it’s not that crazy.

The F.B.I. scam really is crazy, though.

Whatever it takes, I guess. Because this is as close to a happy ending for Doggett and Reyes as we’re going to see. I’m only sad that these characters seem to be catching their stride just as we’re about to go.


Notes from the Institution:

The call backs to what we already learned in “Empedolces” (8×17) are appreciated. However, suddenly Luke’s been dead nine years? I thought that sounded off and I checked. Before, we were told he died in 1997.

Doggett pawing in the putty reminds me of “Grotesque” (3×14).

There was, of course, no room to deal with the fact that Scully had just lost her own son. Even if there had been, this episode was actually filmed before “William” (9×17). If it had been filmed before, I’m sure Gillian Anderson would have found a way to work those emotions into her face regardless.

I knew Follmer had a heart. I guess he drew the line at mob guys killing babies.

Doggett’s wife is played by Robert Patrick’s real life wife. You’ve seen her before… or at least, you saw her sleeping form in “John Doe” (9×7).

Doggett wouldn’t have gone to arrest him Rudolph Hayes. He’s too close to the case. If the suspect had been killed or something, he would’ve come under fire.

Unlike Doggett, his ex has made her peace with not knowing what happened and is determined to move on and not dwell on her son’s death. That’s cool. She’s kind of annoying, though. How’s the man supposed to get absolute proof if you don’t help him?

Out of the two of them, you would think she would be more likely to feel guilty, not because it’s her fault, but because she was the one watching Luke at the time. She’s almost too far past the entire event.

Best Quotes:

Doggett: Cadet, you should know there’s a real good chance you’re nuts.


Follmer: Is it me or, uh, is this becoming an odd conversation?

3 responses to “Release 9×16: I wanted to get close to you, Agent Doggett.

  1. I basically figured, after reading the episode descriptions for the two that follow “William”, that any emotional ramifications of Scully giving him away would basically be pushed to the side. I wasn’t wrong, but, since I thought this going in, I was able to enjoy it. I know that this episode is numbered before William, but do you think it would have been better if they showed them in that order? By right, this case should be causing Scully to really think about William a lot…even more than she should be. I guess it would have been in poor taste to have Sunshine Days right after William. Anyway…enough about William.

    I’m glad that they were able to give Doggett some resolution regarding his son. I think that he had a harder time coping than his wife because this was originally established in season 8 as happening in ’97. His wife had four more years of coping on him. So it makes total and complete sense. Haven’t you learned not to question things on this show?

    I also feel like the character of Hayes a bit too over the top and creepy. No way would he have actually made it through this far into the FBI. Since this is season 9, I’ve become pretty good at overlooking anything too ridiculous or coincidental. I didn’t let any of that take away from Doggett’s scenes, which were great. Although the flirting on behalf of his ex-wife was a bit much. I guess that was her tiny hint of how he can really move on. The whole time I also kept thinking about Closure and how Mulder put his ghosts to rest as Doggett is doing here.

    • Yeah – Sunshine Days coming directly after “William” would have been a big no, no. But, really, where do you go from “William”??? It tarnishes everything.

      I really am glad for Doggett. And I wish they’d played up the idea more that he was somehow in this to find his son. He’d done everything he knew how to do through old-fashioned police work, and it was time to open his mind. That’s good. Crushing on Scully and trying to impress her by investigating the X-Files? Not so much.

      This gives him a personal connection to the X-Files, like Mulder. And it’s similar to Mulder’s, but actually much more tragic and still different.

      Hayes was a little over the top for me too, as you can see. I think he mellows out as the episode progresses, however. He pulls fewer faces… or maybe he doesn’t pull the face as hard. No matter, I can’t see him making it into the F.B.I. regardless. If someone like that can so easily lie his way in, even in the X-Files world, then aliens don’t need Super Soldiers. They can walk in and take us.

  2. This episode is beautiful. One of the strongest, and one of my favourite of season 9. The cinematography, acting, casting, story, and most of all the score. This is one of Mark Snow’s best, stunning. It really added emotion and pathos to the whole episode. You really feel John and Barbara’s pain in losing their son. Particular moving was the final scene where they scatter Luke’s ashes.

    One point which was out of the blue was Foller’s involvement. Am I to believe he ordered Regalli to kill Luke, as he was seen walking in on Luke and Harvey? A follow up on the fate of his character would have been good. Also why did Barbara recognise Cadet Hayes? Why would he be loitering around the vicinity of Luke’s home? Did he know Harvey was about to abduct him?

    Although season 9 as a whole was pretty poor, this episode is a gem.


You Know You Want To...

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s