Tag Archives: Audrey Pauley

Season 9 Wrap Up – There’s a lot of crap to cut through.


Providence07 (1).jpg

Unbreak my heart.

“Working on a demanding show like The X-Files can take its physical toll on a person. I kept at it pretty regularly for the entire nine seasons,” Chris continues. “All I can say is on the last season of the show, I was writing or re-writing a lot and I would take a nap every day. As the season went on, it became two naps a day. Those nine years caught up with me pretty fast.” – LAX-Files, pg. 220

I would love to officially close out this rewatch of Season 9 and say that it was wonderful, tragically underestimated and that it exceeded my expectations. I would love to be able to conclude that our two new leads stole the show in every sense of the expression, that in the history of The X-Files, Season 9 was a new creation; old things had passed away, all things had become new.

But I can’t. I’d be lying. A new creation was what we needed, but it’s not what we got.

I don’t want this to turn into a diatribe on Season 9, and I also don’t want to expend any more mental energy on Season 9 than I have to for the sake of completion. So we’ll focus on a few main things that I think might have made the season better.

We needed a new mythology.

Because, no. Tacking on the Super Soldiers to the old mythology did not suffice.

I listed a series of questions in the review for “One Son” (6×12) that the Syndicate mythology still had left to answer when it ostensibly ended. But as of Season 6, the mythology had already grown way past anything the 1013 staff had originally hoped for and lasted well past what they had originally envisioned. It had grown large and unwieldy and Chris Carter decided to scrap it and do something new rather than dig a deeper hole and make it even more confusing. Um, that was the goal, anyway.

He did something “new” in “Biogenesis” (6×22) with alien gods, but it was still directly related to the mythology we were already familiar with. Then, with Mulder bowing out in Season 8, the Super Soldiers were introduced so that the new team, Doggett and Reyes, would have something fresh and scary to go up against. But the mystery of the Super Soldiers was tied to the mystery of the alien gods – was tied to the mystery of the Syndicate – was tied to the era of Mulder and Scully. We don’t have to play a game of Six Degrees of Kevin Bacon with it, either. The Super Soldiers went directly after Mulder and Scully’s baby and are working for the alien colonists that Mulder and Scully are working against. You can’t think of the Super Soldiers without thinking of the history of Mulder and Scully.

By the time we get to Season 9, not only are we more confused than ever by the connections between the conspiracies, but Doggett and Reyes aren’t on their own turf, they’re still effectively playing in Mulder and Scully’s sandbox. They’ve inherited a through-line so convoluted that:

“I looked at what many people had written about the mythology,” Spotnitz said, “and I was alarmed at how many people who are extremely knowledgeable about the show and had followed it religiously had drawn false conclusions and false connections between things… It was an amazingly complicated, sometimes convoluted conspiracy. I’m just astonished people stuck with it for as long as they did.”

But when I say that we needed a new mythology, I don’t just mean a plot that was brand new for Doggett and Reyes and for the audience. I mean we needed a new mythology because this one’s plot was a complete failure. The most interesting thing about it was how hard it bombed.

Please, no more alien gods. No more alien babies. No more god-like alien baby messiahs. And for the love of all that is Scully, if you’re going to write in a miracle child, don’t erase him like you wrote him on a whiteboard. No takesies backsies!

We needed the leads to star in their own show.

I think the plan to attach the fans to Doggett and Reyes by bonding them to Mulder and Scully, while it may have been the only plan available in Season 8, backfired. They became in effect, sidekicks; the less interesting sequel to a massive summer blockbuster.

I do believe they could have stood on their own as characters and that they had their own chemistry as a partnership. Yes, they started off as a reheated rehash of the Skeptic-Believer dynamic, which as I explain in the review for “Daemonicus” (9×3), probably should have stayed unique to Mulder and Scully. But they did prove in episodes like “4-D” (9×5), “John Doe” (9×7), and  “Audrey Pauley” (9×13) that they could hold their own and had the potential to build a unique dynamic. They needed cases that were suited to their strengths as a partnership rather than Mulder and Scully’s strengths. They needed to be free of Scully as the third wheel and free from the shadow of MSR. And they needed a quest all their own.

With Mulder and Scully, they had their marching orders from the Pilot (1×79). We knew why they were here and what they were doing. And while they were waylaid by Monster of the Week pitstops, we knew they were searching for something bigger in the X-Files and that these cases were merely detours or the chance to pick up small pieces of a larger puzzle. And both agents had not only a larger truth to prove or disprove, but they had personal reasons for being invested in their work; Mulder because of his sister and Scully because of her science.

Doggett and Reyes are never given their own mission or personal impetus to investigate the X-Files – No, Doggett’s crush on Scully doesn’t count as a personal impetus, nor does Reyes’ interest in Doggett.

Their fight against the Super Soldiers is an inherited fight. The closest thing Doggett has to a connection with the conspiracy is that an old, somewhat distant friend turned out to be a Super Soldier. Reyes? That her boss and former lover is nebulously aware of a conspiracy that he’s not directly a part of. If we’re being honest, the only reason they’re here is because they’ve become friends with Mulder and Scully. Considering what’s on the line, I don’t think that’s enough.

It was touched on in “Empedolces” (8×17), the idea that Doggett might be here because he wants to prove that there was nothing in the X-Files that could have helped his son. Unfortunately, this was never fully developed as a concept. Reyes’ reasons for investigating are even less developed. She gets “feelings” about cases and has a background in Religion. That makes the X-Files her dream assignment.

A genuine quest all their own, and motivations that carried real emotional weight – those two things could have made a world of difference.

We didn’t need Scully.

We didn’t need Scully or the little uber Scully. They should have run off with Mulder.

Not only did her presence force episodes to take precious time away from developing Doggett and Reyes as characters, her presence also inevitably invited comparison, conscious or not, to the time when Mulder and Scully used to investigate the X-Files. That inevitable comparison inevitably came out in Mulder and Scully’s favor, to the detriment of Doggett and Reyes’ budding partnership.

In fact, episodes like “Trust No 1” (9×8) and “Providence” (9×11) downright turned Doggett and Reyes into Scully’s sidekicks. They became supporting players in the continuing saga of Mulder and Scully instead of leads in their own, less melodramatic drama.

And even when the story had nothing to do with Scully, the script had to make room for her, whether she was useful to the plot or not. Most of the time, she wasn’t.

She spends the majority of the season doe eyes tearily wet with thoughts of Mulder. Either that or she’s crying out, “My baby! My baby!” O Scully, Scully. Wherefore art thou, Scully? What happened to the feisty redhead I once knew? The enigmatic doctor? The lofty example of female intelligence?

Just like that, the legacy of television’s favorite duo is cheapened into a tale of star crossed lovers and their accursed love child.

There has to be an end, Scully.

“If you ask me, we should have ended it two years ago,” Anderson said when the news was announced. “They couldn’t have found two better actors than Robert and Annabeth to take over, but the show was about Mulder and Scully.”

It was about Mulder and Scully and, unfortunately, it never stopped being about Mulder and Scully even when Mulder and Scully were gone. “The Truth” (9×19/20) only confirmed that fact. I second Gillian’s feelings – Robert Patrick and Annabeth Gish did an excellent job. The failure of the show wasn’t Doggett and Reyes’ fault. The failure had everything to do with business, the logistics of network television, and most of all, the writing.

In order for Season 9 to have worked, we needed a clean break with the past. We needed two new heroes on a new quest with new perspectives, new dynamics and new enemies. Instead, we got Doggett, Reyes, Skinner, Follmer, Frohike, Langly and Byers playing the dwarves to Scully’s Snow White. (I would have included Kersh, but that’s not seven anymore, is it?)

What we needed, really, was a spinoff. Now, I know very well that wouldn’t have happened, but in an ideal world and all that.

It was just a shame to see this iconic, legendary show that provided so much joy over the years end its run on a low note. Then again… without a proper death, resurrection means nothing. I’m so glad I can look back and say this wasn’t really the end.

On that note of hope, here are the final set of awards for the series proper:

Give it Another Shot

Sunshine Days

Gave it Another Shot

Improbable

No More Shots

Provenance

Best Shot

Audrey Pauley

Long Shot

Underneath

Shoot Me

Jump the Shark

Shoot the TV

William

Advertisements

Audrey Pauley 9×13: You’re not giving up, are you?


“Audrey Pauley” is one of the few Season 9 episodes that I have a distinct memory of. Okay, wait. It’s one of the few Season 9 episodes that I have a distinct memory of liking.

Steven Maeda seems to have a knack for writing for Doggett and Reyes. He gave us “4-D” (9×5) earlier this season, which I also thought was sci-fi of the less paranormal sort that seemed to suit our new leads just fine. It also showed us a deep connection between these two characters, heavily iced with flirting, that made their partnership that much more interesting to watch.

He’s done it again here, with a case that carries a lot of real world weight and some intense flirting. Whoa, Reyes. Why not just invite yourself in? It would take fewer words.

But the really real truth is that Reyes is at her best as a character when she’s playing off of Doggett. As I discussed ad nauseam in the review for “Hellbound” (9×4), she isn’t given much by way of her own backstory or personal motivation outside of her history with Doggett and desire to help him.

That said, what we finally see in her character for the first time in this episode is that she’s actually a decent investigator. She solves this mystery. She doesn’t get away with feeling her way to the truth.

Doggett also solves the case on his end and he does it without having to turn into a believer like Mulder or Reyes. Doggett’s just a guy who refuses to give up on his loved one and turns every stone over looking for a miracle or at least a way to help her. There’s nothing about his response to the situation that requires him to suddenly wholeheartedly believe in the paranormal. But he’s emotional and vulnerable and desperate, which makes him open to the truth when he hears it from Audrey Pauley. He doesn’t have to completely understand or make sense of it, but he knows something’s up and that’s enough for him to hold on.

Yep. The characterization is strong with this one.

The plot, though…

The concept is memorable, I will say that. There’s something truly frightening about the idea of seeing a loved one brain dead or in a coma or vegetative state. It’s almost worse than outright death in that you don’t know whether or not they’re suffering and the weight of the responsibility for their welfare is a heavy one. This isn’t just a nightmare for Reyes, it’s a nightmare for Doggett who wants to do right by Reyes and is horrified at the fear that in listening to the doctors he might actually be doing her harm.

And again, I think theoretical or reality based stories like this are the best vehicles for Reyes and Doggett. But again, the script feels a little rushed. Or maybe there wasn’t enough time to sharpen the more obscure edges of the plot and emphasize Doggett and Reyes’ budding romance.

Audrey Pauley is a simple-minded woman who is also a savant of some kind since she can build an exact scale replica of the hospital she lives and works at. Audrey has a quiet corner of her mind where she likes to go that looks an awful lot like the hospital dollhouse that looks an awful lot like the hospital itself. One day, brain dead patients started taking refuge in Audrey’s mind and she didn’t know how to get their souls out of her mental dollhouse and back to their bodies. But then, she was killed by a villainous doctor and Reyes, who had been brain dead, was able to jump out of Audrey’s mind and back into her own body.

Say what now?

Issues of accuracy in the depiction of brain death and organ transplantation aside, how and why did Audrey manage to trap these people’s souls in her own mind? And I’m still not sure I understand why if Reyes had jumped into the abyss while Audrey was still alive she would have died, but once Audrey was dying/dead she jumped and lived. Audrey was both keeping them alive and somehow keeping them from living again?

On top of that, while I really enjoyed the villainous doctor, why was he a villain? Was it just that he wanted to harvest organs for transplant? From what little I know, the doctors (always plural) in charge of declaring a patient brain dead are never those involved in donation and transplantation; it’s a conflict of interest. But for the sake of argument, he thought these patients would die anyway so he wanted to speed up the process of their death in order to save others instead? If so, why did he choose Reyes who wasn’t severely injured? Was there money changing hands somewhere for these organs?

I don’t know, but it seems to me he’s just a sadist. He kills with too much aplomb to be anything else. Maybe he just gets a thrill out of secretly killing helpless people.

Either way, that’s not nearly as important as receiving confirmation that Doggett’s over his Scully crush. Good riddance.

Verdict:

When this first aired, I remember being more than a tad resentful that a story like this wasn’t used for Mulder and Scully in lackluster Season 7. I knew the 1013 writing staff had it in them. Where had all the cowboys gone?

But even as much as I enjoy this one, it’s a sad reminder that the Doggett and Reyes’ relationship is moving fast for a reason. It’s time to wrap this show up and we’ll never know whether truly memorable television could have been made out of this partnership. I still say they had potential, perhaps not for magic, but for something interesting to watch. They have a real connection in their scenes together, not that I’m sold on a second romance in the basement office. It’s getting a little hot and heavy down there.

B+

P.S. If someone knows of a fanfic that substitutes Mulder and Scully for Doggett and Reyes in this ep, holla at your girl.

Valley of the Dollhouse:

That electrical death looks awfully painful. God forbid taking someone off of life support would result in such a thing.

The actress who plays Audrey Pauley, Tracey Ellis, also starred in “Oubliette” (3×8).

It’s Will’s mom from The Fresh Prince!

Dr. Scully’s reaction to Reyes waking up from brain death is awfully subdued. A few misdiagnoses aside, such a thing has never happened. Reyes’ brain should be studied for science.

Total resurrection is another story, however.

If they were going to harvest Reyes’ heart, they wouldn’t take her off life support. They’d want her heart beating when they performed the procedure. You know, in case you were planning to perform a transplant yourself.

The doctor stayed in the room with Audrey after he killed her for far too long.

Best Quotes:

Reyes: So, big plans for the weekend?
Doggett: Oh, huge. Microwave pizza, satellite TV.
Reyes: Wow. Thanks for making my life sound exciting. Maybe we both need pets. They say people with pets live longer.
Doggett: I was thinking about getting a cat.
Reyes: There’s dog people and there’s cat people. You are a dog person, John.
Doggett: How do you figure?
Reyes: You’re faithful, you’re dependable, you’re without guile, you’re very comfortable to be around. So why a cat?
Doggett: Low maintenance. They don’t expect much from you, so you can’t disappoint ’em.
Reyes: I don’t see you ever disappointing anyone, John.

Brand X 7×19: They say these things kill people.


 

BrandX70

I’m having War of the Coprophages flashbacks.

I was really excited to watch “Brand X” again. Honestly, my memories of the last few seasons are a lot fuzzier than the early parts of the series. (You can probably guess which episodes I watch more often.) The hidden blessing in that is getting to relive episodes afresh. And what I did remember of “Brand X” was good. Very good.

We have Skinner in play, and he so rarely gets to move from behind his desk. I think Mitch Pileggi was brought on the court mainly because Gillian Anderson and David Duchovny were still busy in post-production for “all things” (7×17) and “Hollywood A.D.” (7×18) respectively, but I’ll take any excuse to see more of Skinner.

I also haven’t seen a Half-Caff episode in nigh forever and I’ve missed them. For those who don’t know, Half-Caff is my own obsessive-compulsively subclassed category of X-File that involves a newly discovered science or technology with world-changing implications. Here-to-fore, however, they’ve also included a government conspiracy to get a hold of or control said science. “Brand X” is slightly different since there’s no government conspiracy, only a corporate one. But I’m counting it because I can.

Morley Tobacco takes the place of the government this episode and so is appropriately shady and secretive. Except for the good Dr. Voss, who shows signs early on of wanting to switch allegiances to the good side of the Force. He smirks in response to Mulder’s sarcasm at the conference table, anyway. But Dr. Voss has a problem. He and Dr. Scobie’s noble experiment, to genetically engineer a tobacco plant that wouldn’t cause cancer when smoked or inhaled, backfired. Oh sure, they developed a non-toxic plant. However, the tobacco beetles evolved to match the new supply and now their eggs are being inhaled along with the smoke. Needless to say, it’s not a pretty picture when the eggs hatch. Just ask the late Dr. Scobie.

Initially, we think Dr. Scobie’s been killed because he’s a whistleblower and the company didn’t want him revealing their nefarious secrets to the world. Whistleblowers were a hot topic in the 90’s and so was Big Bad Tobacco. I wonder if generations of X-Philes to come will recognize the plot of The Insider buried in all this. Even if they don’t, in a world where the GMOs vs. Non-GMOs debate has only gained traction over the years, this episode is oddly still relevant. Can we make nature better? Will we kill ourselves trying?

For first time writers on the show, Steve Maeda and Greg Walker give us a pretty classic X-File, the anomaly of Skinner being out in the field notwithstanding. Steven Maeda will go on to write several more episodes including one of my later season favorites, “Audrey Pauley” (9×13).

There are lots of little moments, especially in the beginning, that I enjoy about this episode. I love the opening shot of smoke billowing out of a chimney and how it subtly introduces our subject. Seeing Dr. Scobie’s glass of icy water with pinkish swirls of blood floating around in it gives me a delicious sense of foreboding. It also warms my Philish heart to see Mulder and Scully coming to Skinner’s aid. I realize he’s their boss and technically they have to show up whether they want to or not, but it’s nice that they want to. Oh, and it’s the first time, probably all season, that I’ve felt like either Mulder or Scully were in real danger. “Signs and Wonders” (7×9) didn’t convince me. This actually feels like Mulder’s on the verge of death.

The atmosphere, particularly in the indoor scenes where they could block out the L.A. sunlight, is perfect. (The X-Files was gorgeous.) The villain is vile. (That’s right. You go ahead and smoke your neighbors to death. ‘Cause this is America, man. E Pluribus uh…) The deaths are disgusting. (And I take perverse viewing pleasure in that.)

Everything’s moving with tense, expectant energy and then… the ending flattens like Coke in a cup.

Sigh. It pains me to admit it, but the 4th act starts to fizzle right when it should sizzle. It’s a sad reminder of what happened to “Theef” (7×14), another episode this season that was leading somewhere good and then choked right at the climax.

In particular, that scene where Skinner can’t make up his mind to take down Daryl Weaver goes on two minutes too long. I mean, I get it. If Daryl keeps on living he’ll keep on smoking and more people will inhale tobacco beetle eggs and die. And if Daryl dies then the doctor’s may not get the scientific answers they need to save Mulder and anyone else who might get infected. But Skinner is an Assistant Director at the F.B.I. I’m pretty sure he knows how to shoot a suspect so as to disable them rather than kill them, especially when that suspect is standing still. His hesitation, no, procrastination doesn’t make sense. Not to mention, Daryl’s bad guy speech would have been much more effective cut in half.

Verdict:

Is it too late to create a “Coulda’ been a contender” category? Because “Brand X” had the potential to be a classic. Instead, it’s just a really solid offering. Warts and all it’s still a far sight more entertaining than most of what I’ve seen this season.

B+

Bugs:

Skinner makes the idea of killer bugs sound so fantastic. Wasn’t he around for “Zero Sum” (4×21)? I know, I know. The bees carried a virus. They still behaved abnormally.

Are those pencils in the office ceiling the same ones from “Chinga” (5×10) or does Mulder still get bored often?

Correction, Scully. If Mulder were to pick up that pack of Morley’s he wouldn’t be taking up smoking, he’d be falling off the wagon. Mulder smoked back in “Travelers” (5×15).

If the situation was dangerous enough that Skinner needed to put a detail on Dr. Voss’ family for their safety, why did he let Dr. Voss travel home alone?

Is there any particular reason we’re supposed to believe Morley Tobacco would go so far as to kill Dr. Scobie for testifying against them? When did the mafia take over Big Tobacco?

PSA: It was implied by this episode but never directly stated that the smoke and tar from tobacco plants causes cancer, not nicotine. The smoke chronically irritates the lungs, leading to cancer and a whole other host of issues. Cigarette smoke also contains over forty known carcinogens, marijuana smoke over thirty. Though whether or not marijuana directly leads to lung cancer is still under debate. It’s been linked to testicular cancer, prostate cancer, cervical cancer and leukemia in the babies of women who smoked while pregnant, though.

Actor Tobin Bell, who plays Daryl Weaver, is our second Goodfellas alumnus of the season and our second 24 alumnus. Or at least, he’s the second of each that I’ve recognized and counted.

The actors must have killed themselves coughing from this episode.

Best Quotes:

Mulder: [Looking at a gruesome picture of Dr. Scobie’s corpse] Can’t blow the whistle with a mouth like that.

———————–

Mulder: Mr. Weaver, did you see or hear anything unusual last night?

Daryl Weaver: Little Korean fellow down the hall dresses like Wonder Woman. But that’s every night.

———————–

Daryl Weaver: Toodles.