Tag Archives: The End

All Souls 5×17: I’m immune to your mockery.


All the captions I think of feel somehow sacreligious…

Ah, the Enigmatic Dr. Scully. It turns out that on the sly, or in between commercial breaks, however you choose to see it, the formerly lapsed Catholic has been attending church almost on the regular since the events of “Redux II” (5×3).

Why do I suspect Mulder knows nothing about this development?

But why doth our lovely doctor look so solemn on Easter Sunday of all days? Could it be there’s a little Catholic Guilt weighing her down.

More than it is a spiritual follow up to “Revelations” (3×11), “All Souls” is an emotional follow up to “Emily” (5×7). Scully is questioning the decision she made at the end of “Emily” not to fight to save her own daughter, but to allow her to die a relatively peaceful death rather than live in potential agony only to have certain death to look forward to. Scully feels very sure at that moment of a decision that I on the other side of the television screen still have qualms about, but now it seems that her conviction has grown thin. I wonder how she’d feel if she knew about that little green vial Mulder kept hidden from her…

Scully now wonders whether it was really God’s will that she allow Emily or the young disabled girl to die, whether she was working as His instrument or not. And more than that, she’s having a Job moment; Scully can’t understand why God has allowed these girls and herself to be in such a painful position in the first place, why the innocent sometimes reap the reward of the guilty.

It’s a question older than the Book of Psalms and one that writers Spotnitz and Shiban wisely don’t attempt to answer. Instead, they choose to reaffirm Scully’s faith that reasons exist even if she doesn’t know what they are.

Yet despite it’s worthy motives, “All Souls” falls somewhat flat. Maybe if more time had been spent elaborating on the implications, spiritual and otherwise, of the apocryphal legend of the Nephilim. Or maybe if there weren’t quite so many red herrings leaving the viewer even more unsure of what just happened than Scully herself. It’s not that it’s bad, it’s just that it’s a little boring and a tad confusing. Even Gillian Anderson’s valiantly acted angst fails to completely pull me in to the story.

Speaking of which, I think I’ve officially had my quota of Sad-Eyed Scully for one season.

I always thought that up until Season 8, Season 4 was Scully’s angstiest season but it appears I always thought wrong. I can think of 3 episodes in Season 4 where Scully faced some sort of emotional crossroad: “Never Again” (4×13), “Memento Mori” (4×15) and “Elegy” (4×22). Season 5 is already at 4: “Redux II”, “Christmas Carol” (5×5), “Emily” and “All Souls”. This isn’t even counting the emotional slap in the face she’ll receive in “The End” (5×20)…

I realize that Scully’s lovely when she’s somber but would it have been possible to have an episode centered around her faith that left her cheerful rather than crying in a confessional booth?

Maybe because I have a tendency to skip both “Revelations” and “All Souls” on my usual rewatches, I never appreciated how exactly the director referenced the previous episode’s shots of Scully in the confessional – just in case we missed the fact that both episodes center around Scully’s Catholicism. “All Souls” even ends exactly like “Revelations” with Scully beautifully lit in a confessional booth giving us a pithy statement about faith. It’s not quite as compelling the second time around, but the continuity is noted and appreciated.

And the Verdict is…

Amazing how Mulder flat out refuses to believe there’s anything spiritual going on when it comes to Christianity. Vampires? Sure. Werewolves? Why not. Jesus? You must be kidding.

I’m sorry, but Mulder, my dearest Mulder, is a right and proper jerk this episode. Didn’t he learn anything from the ending of “Revelations” when he realized that he’d been wrong to write off those involved in the case as religious wackos and that he’d alienated his partner through his insensitivity?

Judging between the two episodes, and a couple of earlier ones, I think Mulder’s problem is that when he’s skeptical, which isn’t often, he has the undiplomatic habit of scoffing at other people’s credulity. It’s not pretty. Scully, for all she may raise an eyebrow at Mulder’s theories, usually respects the man if not the idea. Mulder has a way of dismissing both the message and the messenger.

He doesn’t say, “Willikers, Scully, we both know that stranger things have happened but I just don’t think this is the case here and here’s why.” Oh no. Instead he makes quips about psychotic believers convinced they’re hearing from a non-existent God – a category that Scully is uncomfortably forced to conclude she falls into.

No doubt about it, Mulder has a chip on his shoulder when it comes to the church. Praise be, he’ll later redeem himself (no pun intended) in “Signs & Wonders” (7×9) after “Orison” (7×7) softens him up a bit.

B

Apocrypha

I’ve seen “All Souls” probably 6 or 7 times but I only just figured out that the Seraphim is a separate entity from the demon caseworker – a clear reflection of my level of interest in this episode.

I’m not Catholic so I’m no expert, but why were Dara’s parents having her baptized on a dark and stormy night 6 years down the road rather than immediately or thereabouts after she was adopted? Like baptizing an infant, wouldn’t they have wanted some insurance for her soul sooner instead of later?

Scully goes to church on Easter Sunday, stops at the family’s house and learns about their daughter, then goes to the pathologist’s office on the same day. That’s one busy little bee.

Mulder doesn’t even show up until 14 minutes into the episode not counting commercial interference. And once he shows up I’d rather he weren’t there.

Best Quotes:

Scully: As much as I have my faith, Father, I am a scientist, trained to weigh evidence. But science only teaches us how… not why…

——————

Mulder: Look, Scully, I know you don’t… really want my help on this, but can I offer my… professional opinion? You got a bona fide super-crazy religious wacko on your hands.

——————

Mulder: I know people in glass houses shouldn’t throw stones blah blah blah, but that guy is paranoid!

Advertisements

The Rain King 6×7: We usually just say, “Please.”


Trust me, the man knows how to kiss.

This is probably the cutest X-File ever, and for that reason, fans either love it or hate it. I’m of the love it variety.

If some shudder at the mere thought of “cute” and “X-File” in the same sentence, I can understand why. What do cheesy romantic storylines have to do with a show about mutant monsters and alien probes? Nothing. That is, of course, unless said show had reached the point where mutants and abductions were so commonplace that small town love triangles made for a nice distraction from the gravity of the overarching themes.

But I’m not here to defend “The Rain King” as no defense is necessary. Much better writers than this mere mortal liked this script so much that it got freelance writer Jeffrey Bell hired as a full time staff member. He would go on through Season 8 gracing us with some hits and some misses, but for this episode alone I could plant a big wet one on him.

Which would be plagiarism.

Besides, I could never do it better than Sheila Fontaine does it to an ill-prepared Fox Mulder – Sheila who is played in shameless yet sympathetic fashion by Saturday Night Live alumnus Victoria Jackson.

Does that sound like déjà vu? It should because Jackson is the third Saturday Night Live member to show up on The X-Files this season and she won’t be the last. That will be Charles Rocket in “Three of a Kind” (6×19). Season 6 could be subtitled The Year Saturday Night Live Abducted The X-Files.

In a season that is undeniably more light-hearted than any before it, all this Saturday Night Live style energy is a good fit. Admittedly, “The Rain King” dabbles in some pretty obvious forms of comedy. But is that so wrong? The days of the dark, macabre comedy of writers Morgan and Wong have passed and Vince Gilligan has almost single-handedly caused the advent of an era where Mulder and Scully drink wine with shapeshifters and dodge flying cows. It’s like graduating from High School to college; both periods are precious in their own way.

Okay, enough context. I know this is what you’ve been waiting to read:

Scully: Well, it seems to me that the best relationships, the ones that last, are frequently the ones that are rooted in friendship. You know, one day you look at the person and you see something more than you did the night before. Like a switch has been flicked somewhere. And the person who was just a friend is… suddenly the only person you can ever imagine yourself with.

Whoever thinks Scully isn’t talking about her own feelings for Mulder, raise your hand… and then put it back down. Stop embarrassing yourself.

It wouldn’t be hard to make the case that the whole point of the plot here is to out Mulder and Scully to themselves, or rather, to let them know that the rest of the world is onto their little charade. And not the fictional world they reside in only but the real world of their television audience as well; Chris Carter & Co. throw an exaggeratedly knowing wink to the viewers at home who they acknowledge have been saying the same things for years – “I see the way you two gaze at one another.” Mulder and Scully are the only ones not in on the joke, not realizing how obvious they are.

Back to the statement at hand, I can reasonably hypothesize that the “suddenly” Scully alludes to probably occurred during the events of “The End” (5×20) and possibly around the time of Fight the Future. I can say with scientific certainty that her pause before she shakes her head “No” to Sheila’s query as to whether or not she’s ever kissed Mulder is because she’s recollecting the events that took place in a certain hallway. Will she ever admit as much in a less veiled fashion? Maybe to herself.

Mulder isn’t any better with his bald faced lie to Holman (“I do not gaze at Scully.”), although he does find much amusement when he and Scully are constantly mistaken for a couple. Then again, Mulder said they should pick out china patterns long ago. At least he has the decency to be embarrassed by Sheila’s attentions. Oh, and as an aside, it’s not surprising that Sheila develops a thing for Mulder. What’s surprising is that more women don’t on this show. That’s how you know it’s not real. Men that good looking don’t come around often enough for the female population to be indifferent, fictional or otherwise.

I realize that “The Rain King” and its brand of overt Shippiness is a turn off to some fans. Yes, Holman’s parting, “You should try it sometime,” in Mulder’s direction may be a tad much. But the show had to throw long-suffering Philes a bone. If Mulder and Scully’s relationship isn’t going to move forward any time soon, they have to toss Shippy bait into the water every so often to keep the fish biting. I remember those days and I know I needed confirmation and validation on some level at least. If Season 6 is a little heavy on that validation in the standalone episodes, it’s only to cover the emotional trauma of episodes like “The Beginning” (6×1) and the soon to come “One Son” (6×12). I said I wouldn’t defend this episode, but there you go.

There’s only one thing that concerns me and that’s that post season opener, we’ve only had one serious episode, the kind you watch through your fingers, and that was six episodes ago. We’re overdue for some high stakes, don’t you think?

Verdict:

“The Rain King” may not be the crafted genius of “Bad Blood” (5×12) or “Small Potatoes” (4×20), but it’s a fully entertaining hour of television. Perhaps it’s because I’m 1/64th Cherokee, but when Sheila starts screaming, “Darryl, no! Not the face!!” I jump up and down in unbalanced laughter.

I will not apologize. I cannot. This episode isn’t a guilty pleasure because I feel no guilt. It’s my right as an X-Phile to mop up silliness like soup at the bottom of the bowl when I see fit.

A

Somewhere Over the Rainbow:

Reason #1 to love this episode – “Okay, Rhonda, that’s enough! Go find yer mama!”

It has been a looooong time since Mulder gave us an Elvis joke.

What garbage can did Mulder sneak this case file out of? There’s no explanation given for how Mulder and Scully found a way to investigate an X-File behind Kersh’s back again, but it’s not hard to imagine Mulder pulling some stunt off camera.

Mootz has made it through surgery, rehab, and been fitted for a prosthetic leg in only 6 months? And he has time to set up his Rain King operation? He’s had 40 customers by the time Mulder and Scully arrive.

That’s not the only timeline issue here. The events of this episode take place in August but it aired in January. And I haven’t delved into it, but I’m pretty sure that it conflicts with the timeline of earlier episodes.

The Rain King has a rock star rider attached to his contract. Maybe he really thinks he’s Elvis.

Knee-jerk Skeptic Scully is back. A man can’t control the weather? Didn’t she ever watch “D.P.O.” (3×3)?

We got robbed – a scene between Mulder and Scully after they’re forced to spend the night in the same motel room could have afforded us priceless humor.

Who is Scully kidding? She wasn’t checking Mulder’s head for injuries and she wasn’t just making a joke either. She was looking for an excuse to play in his hair.

Much like in “Small Potatoes”, there’s some gentle mocking of David Duchovny’s status as a heartthrob happening here.

Reason #63 – the look on David Duchovny’s face as he mentally tracks the cow flying overhead.

From Cherish the Past: Speaking of flying cows, Kim Manners said that if he had to do it all over again, he would go back and change one small but significant detail of “The Rain King.” “I screwed up big time,” said the director, “which I realized while I was driving along the Ventura Freeway two months later. When that cow dropped through the ceiling, I should have had David ad lib ‘Got Milk?’ I’m still pissed at myself that I didn’t.”

Reason #106 – Mulder and Scully swaying to “The Things We Do For Love”.

Best Quotes:

Holman Hardt: Well, you gotta help me.
Mulder: I got a plane to catch.
Holman Hardt: You can’t go. If you don’t help me, who will?
Mulder: I am meeting my partner at the airport. [Mulder’s phone rings] Excuse me. Hold on. [Answers] Mulder.
Scully: Mulder, it’s me.
Mulder: I’m on my way.
Scully: I’m not so sure. Have you looked outside lately? It’s pea soup. Our plane can’t take off until after this fog lifts.
Mulder: Fog? Holman!
Holman Hardt: [Shrugs]
Scully: Holman?
Mulder: Yeah… he wants advice. Dating advice.
Scully: Dating advice? From whom?
Mulder: Yours truly.
Scully: [Silence]
Mulder: Hello? Hey, Scully. Scully, you there?
Scully: I heard you. Mulder, when was the last time you went on a date?
Mulder: I will talk to you later. [Hangs up]
Scully: The blind leading the blind.

———————–

Holman Hardt: I’ve been envious of men like you my whole life. Based on your … physical bearing, I had assumed you were… more experienced.
Mulder: [Silence]
Holman Hardt: And you spend every day with Agent Scully, a beautiful, enchanting woman.
Mulder: [Silence]
Holman Hardt: You mean you two never, uh…?
Mulder: [Silence]
Holman Hardt: I… confess I find that shocking. I… I’ve seen how you two gaze at one another.
Mulder: [Impassive silence and then…] This is about you, Holman. I’m here to help you. I’m perfectly happy with my friendship with Agent Scully.
Holman Hardt: So according to your theory I walk in there, tell her I love her and the drought will end?
Mulder: [Fixes his tie and pats his face] Just tell her how you feel. And Holman… I do not gaze at Scully.

————————

Sheila Fontaine: You love him, don’t you?
Scully: Wha…?
Sheila Fontaine: You’re jealous because Agent Mulder and I have a special connection and you’re trying to divert me to Holman.
Scully: What? {Editor’s Note: The look on her face. The look on her face.}