Tag Archives: The Truth

My Struggle II 10×6: Spoken like a true psychopath.


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The (un)emotional reunion we’d all been waiting for.

I do understand, Chris. I want to forget about the Super Soldiers too.

It seems that in order to facilitate said forgetfulness, we’re going to take it back… alllll the way back to the perverse politics of “Paper Clip” (3×2) and the Hitler-esque horrors of “Herrenvolk” (4×1).

Ah, yes. Hitler. I’d been wondering since “My Struggle” (10×1) what the connection would be between the hijacked title of Hitler’s defining autobiography (“Mein Kampf” in German) and this new era of conspiracy on The X-Files. It would seem that old is new again, and Chris Carter is reeling back in the real world fear of eugenics and calculated experimentation by humans on humans, humans unfettered by morality and governed by nothing but humanism and ambition. (Maybe he should have named this two-parter “Babylon” and “Babylon II”?)

We’ve eschewed the supernatural for a super human evil: Heil Cigarette-Smoking Man, the new Hitler, who is almost single-handedly punishing mankind for its failure as a species — or for his own failure to bring about Colonization, take your pick as to which — and is ready to to wipe out humanity as we knew it and repopulate the planet with the Ubermensch: the human species upgraded with alien DNA. If Mulder would just cooperate, together he, Daddy Dearest, Scully and William could become the new master race, the Herrenvolk.

Oh, and Monica Reyes. I can’t forget about Monica Reyes.

What the heck now??? Monica Reyes as the new Diana Fowley? Stah-ap!!

What’s most insulting to the character is that she’s so easily manipulated by CSM with nothing but the vague threat of impending doom. She already knew there was a battle for humanity; that’s why she helped Mulder and Scully escape in “The Truth” (19/21). What kind of science could have proven to someone who was not at all a scientist that hope was hopeless? How did she explain herself to John Doggett?? And you’re telling me he was willing to save her life purely in exchange for lighting his smokes???

I’m so done with this desperate attention seeker of a plotline. Moving on.

Scully: The technology wasn’t there, Mulder. DNA wasn’t even identified until 1944. This is all a lie! – “Paper Clip”

Scully’s doubts reflected my own for much of this episode. How could CSM & Co. have been manipulating human DNA through the Smallpox vaccine when we hadn’t yet mapped the human genome? Well, kudos to Chris Carter for harkening back to what he established way back in Season 3, that the government had long been keeping its scientific knowledge from the public.

But I’m going to have to dock a few kudos for not keeping more of this scientific knowledge from the public. “My Struggle II” is 90% science and 10% story. If in order to pull off the plot the science is so complicated that you have to take your audience back to school for half an hour for them to understand it, it’s too complicated. Leave it out. Way too much time is spent listening to Scully and Einstein explain things to each other that doctors would never have to explain to each other. What’s more, as always, Scully has special knowledge far beyond her speciality. But I suppose I’m used to that by now.

I’m also used to William being treated like a prop. Yet it would seem that if we do get a Season 11, FINALLY, the hunt for William will become paramount. That’s all I ever wanted and it was not too much to ask.

The ending leaves much to be desired. The episode leaves much, much to be desired – less exposition, more Mulder and Scully some, any, a crumb of Mulder and Scully would have sufficed. The whole point of this revival was to put the team back together. I didn’t campaign like a house-bound otaku for Miller and Einstein.

But it’s not “Babylon” (10×4), and for that, let us all give thanks.

Verdict:

Let me tell you about my struggle. It’s the struggle of a teenybopper fangirl who desperately wants to believe in her first love with the enigmatic skeptic inside. If The X-Files keeps going, will it get better or will it get worse? Are we apexing toward another Season 5 or are we snowballing toward more of Season 9?

I’m betwixt and between. And “My Struggle II” leaves me feeling little more than apathetic.

Though at last, AT LAST we’re seeing something akin to an apocalypse. Colonization has been threatened for so long without any significant movement in that direction. True, this large scale immunological breakdown is the machination of man, not of aliens… or is it? Chris Carter giveth and Chris Carter taketh away; he’s wont to take back a plot he’s discredited only to discredit it again. We might find that CSM put this current drama into motion in 2012 for a reason.

There may be a master plan here, but even if I make sense of it I’m not sure it will be satisfying. The ending left me with neither a sense of completion or anticipation. I get both out of “Requiem” (7×22) and even “The Truth”. “Existence” (8×21) has its faults, but at least the characters’ story arcs are made whole. “My Struggle II” ends with a pure cliffhanger, but not the kind of cliffhanger that makes you pick up the phone and call your mother screaming. The characters haven’t evolved and they’re not in any sort of emotional crisis. Mulder’s sick, but he’ll be healed. Scully’s likely been abducted… again… but she’ll be back. Then what? More giant jumps of assumption from our level-headed scientist? More mini Moose and Squirrel? More Truth Squad?

C+

Musings of a Madwoman:

If I’m reading this right, CSM is behind the murder of Sveta and the abduction of Scully, the first to keep her quiet and the second to keep her from saving lives.

Seeing Well-Manicured Man and Krycek in the teaser made me all kinds of nostalgic. That helped propel my “Paper Clip” and “Herrenvolk” rewatches, which in turn were the best parts of watching and rewatching “My Struggle II”.

Mulder’s beat up and Scully doesn’t know where he is. It’s like old times.

Speaking of beat up, the fight scene was a little long, but it was bomb.

Scully looks the best she has the whole revival.

Okay, are we just going to utterly ignore CSM and Mulder’s familial relationship? One “S’up, Pop!” would’ve sufficed.

Scully wouldn’t have had room to weave through traffic like that if the world was in a real panic.

That’s it, huh? Scully gets abducted… again? Time for another ride on the abduction merry-go-round? How about taking Skinner next time, hmm? I guess he’s overdue for a turn.

Inevitable Questions:

I could have sworn that somewhere in the previews for the revival I saw a glimpse of the old warehouse used to store vaccination records in “Paper Clip”, but then it never materialized. Or did I just imagine it? It would have made perfect sense with the plot.

What about the people who either somehow avoided or missed the vaccine, or those who came to the country after the vaccine? They wouldn’t be affected and neither would their children.

Mulder, the Patriarch of Paranoia, has a GPS tracker on his phone? But really now?

Best Quotes:

There are times when the awkwardly formal dialogue of The X-Files can be endearing. This was not one of those times.

Babylon 10×4: I resent that characterization and I don’t even know what it means.


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Don’t bother adjusting your antennas, ladies and gentlemen.

Mulder: Hi. Einstein? I need you to do me a favor so we can save the world. I’d like you to feed me some quasi-legal magic mushrooms to get me high. Because if I get high and reach that higher plane of consciousness that the Beatles only dreamed of, I can communicate with a comatose terrorist currently in a lower plane of consciousness. I’d ask Scully but she never lets me have nice things. She said no to the Star Wars wedding too. Can you rush down here, please? Thanks. #TrippingAgainstTerrorism

Well, shave my knuckles and call me “Curly.” That was a bunch of mechanical bull.

And you know what? Horrible as it is, it barely even got my shackles up. I mean, I’m not happy, but to break out that venerable and ancient stick called Brutal Honesty: this is what I had braced myself for. I had hoped for better, but I had suspected worse.

If you’ve been gracious enough to read some of my mental meanderings disguised as reviews, then you know that I’ve been rooting for Chris Carter to prove himself again to the fandom.  I’m a fan of both his writing and directing and am usually game for his experimental pet projects. “Babylon” is one of those, v. SMH16.

Fourteen years after the original end of the series and it’s obvious that Chris Carter has a lot he wants to say, he just doesn’t have 8,562 hours to do it in. This is a television program, not a New York Times op-ed piece. Go ahead. Throw out an idea, an opinion or two. Heck, indulge a little and make it three or four. Paint us a visual portrait of your life philosophy. But don’t try to force feed the audience over a decade’s worth of your cultural observations in a single episode of television. They’ll only vomit it all back up.

This forcefully reminds me of “First Person Shooter” (7×13), also directed by Chris Carter, which tried to ally itself with the feminist cause only to disgrace it in yet another failed attempt by the top ‘o the heap at solidarity with the social underdog.

Now, I’m not insensitive to the issues of stereotyping “Babylon” tries to raise having grown up with practicing Muslims in my own family. I’ve also been blessed both to travel and to know people in my own neck of the woods who grew up in predominantly Muslim countries (you might find it awkward to know how many of whom are more paranoid about Islam than most Middle America Americans are, but let me not pull on that thread). If Chris Carter really wants to prove how relevant The X-Files still is then here’s a thought: How about the highly religious young Muslim guy has nothing to do with terrorism??? Too radical?

I know I’m kvetching, but the truth is that for about the first half of “Babylon”, I was following along with an open mind, even if some of the early moments I didn’t understand…

Scully: Since when do you believe in God, Mulder?

Since when did you stop watching your own show, Chris? “Signs and Wonders” (7×9), “Closure“(7×11), “Existence” (8×21), “The Truth” (9×20/21), I Want to Believe… did I imagine you took Mulder through a spiritual evolution or did you imagine I’d forget?

Scully: You know that prophecies like this have been going on for centuries, failed prognostications of doom, failed prophecy – even in the Bible.

Mulder: Yeah, God told Adam that if he at the forbidden fruit he’d die. And he lived 930 years. Top that.

He lived 930 years and then he died… right?

Anyway.

Then of course, I see Mulder and Scully doppelgangers, think “Fight Club” (7×20), and immediately get nasty chills. To my relief, Agents Miller and Einstein aren’t at “Fight Club” levels of irritating. They also aren’t interesting at all. The way Einstein is written, she’s overdone. Miller comes across as little more than an over-eager frat boy. Mulder and Scully were young and full of wonder once, but they managed to radiate capability and intelligence beyond their years. And now I know: The X-Files couldn’t have been created in or with this generation.

But what am I stalling for, right? We all know what the baloney in this sandwich is… Mulder tripping through the tulips with a 10-gallon hat on his head and an Elvis in his pelvis. My concern waxed and then waned something like this:

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And they’re trying to pass this off as the much anticipated return of the Lone Gunmen?

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Call me crazy, but I don’t think badonkadonk hony tonk, inaccurate Biblical allusions, and unoriginal socio-political commentary together a cake bake. Frost it with a heavenly horn section and I am officially unamused. That’s right. God Himself just signed off on MSR and my reaction was:

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I suppose there were a few vestiges of the thoughtful television The X-Files used to be. Do thoughts have weight? Do words have weight? Can anyone feel the weight of my thoughts like an Acme piano falling from a roof?

One (more) thing that did bother me was the not so subtle depiction of Texans and American law enforcement as a bunch of bigoted bullies. I mentioned “First Person Shooter”, infamous for attempting to elevate women by making men look like a bunch of hormone crazed idiots. “Babylon” sympathizes with a repentant terrorist to the point of making the victims, the citizens filled with righteous indignation, look mean for being angry. They absolutely should forgive and I’m not trying to suggest they shouldn’t or that bigotry against Muslims isn’t real or dangerous. But this episode wants the masses to offer forgiveness without conceding that there’s anything that needs to be forgiven. Yep. Knotted issues too big to be picked apart in less than an hour of television.

Verdict:

In the immortal words of those ladies of the barenaked variety: It’s all been done.

In the past fourteen years since the show ended, terrorism on television has been brought forward, pulled back, flipped out, dissected, intersected, and vivisected. I wanted, I so wanted, for this to be something fresh and new – something we were promised the revival would be; it was never supposed to be purely about nostalgia, remember? Instead I’m mortified to report that “Babylon” comes across as a desperate attempt to seem progressive, relevant, sexy and wise.

I can’t help but think back to “Improbable” (9×14) and Chris Carter’s last off-the-wall attempt to define God for a television audience. Then God was a dancing, prancing, grinning Burt Reynolds – low in authority, high in laughter. Now God is an angry tyrant who set man off on his path of confusion but will occasionally speak to the mankind He cast away through dissonant elephant calls – if you care to listen.

I won’t vouch for either interpretation. And the thoughts expressed all throughout this episode are so random and disjointed that I can’t even engage them in debate. I will only say that this doesn’t feel like the same Chris Carter who wrote “Irresistible” (2×13), but I know he’s still in there. I want to believe.

F

The 7th Trumpet:

That final shot is basically a redo of the final shot of “Improbable”, minus Burt Reynolds.

Mulder’s conversation with Einstein wandered very close to Tulpa territory and the mysteries of creation that make up “Milagro” (6×18).

Making Einstein jealous of Scully and then using that as motivation for her to assist in Mulder’s little experiment cheapens the character almost immediately.

The story of the Tower of Babel in Genesis 11 involved neither anger nor violence, either on the part of God or man. So I’m not sure where Chris is coming from on the premise of this entire episode.

“You were 50 shades of bad.” – Absolutely. Freaking. Not.

My Struggle 10×01: Now you got my number.


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Babies!!

These musings are a mixed bag of television emotions. I’d be lying if I didn’t confess to some… not disappointment but, let’s say, validation of my carefully regulated expectations. But this is my longed for Mulder and Scully, The New Adventures of Moose & Squirrel we’re talking about. Even so, it is well with my soul.

This truly feels like a reboot, and by that I mean that Chris Carter & The Spooky Bunch have taken things back to the old school. This isn’t just Mulder and Scully getting back together, this is The X-Files rediscovering its Season 1 roots. This is the original vision revisited. This is “Deep Throat” (1×1), “Conduit” (1×3), “Fallen Angel” (1×9) and “E.B.E.” (1×16) reborn in the 21st Century and polished with a digital shellac.

I’m probably a bigger fan than most of Seasons 1 & 2, so I’m excited about that.. excited and still slightly concerned. “My Struggle” is all out distrust of everything and everyone with money or power, written by a generation scarred and jaded by Watergate, a generation with a knee-jerk distrust of authority. We’re back to vague government cover-ups and father figure informants hedging their words in the dark. There’s something nefarious going on, but it’s nameless, faceless, and overarching.

Unlike the later focus and consistency of the mythology as it evolved in Seasons 3-5, this is a veritable kitchen sink of conspiracy. Why do I suspect Chris Carter’s been saving up random newspaper clippings for years like he was Fox Mulder, just waiting for the chance to info dump them on us all? In less than five minutes we get a condensed history of conspiracy theory from the end of Season 9 to now. It’s a mad burst of baloney.

Right now this new X-Files world is without form and void. Darkness covers the face of the Deep (Throat). Until this conspiracy is given a shape, it’s impossible to declare it good or bad. The only question right now: is all this teasing intriguing enough to hook a brand new audience?

Chris Carter has always been the king of high sci-fi drama. Like he did when he wrote and directed the Pilot (1×79), he can make you believe something world-changing is happening even though you’ve seen next to nothing and heard even less. “My Struggle” isn’t so much about establishing a new mythology as it is whetting our appetites to want to know what in the good Green Goblin is going on.

And this rediscovered scope means that Chris Carter can take the series in all sorts of directions again, the same way the show first found its footing by refusing to be tied down to one idea or one genre. That’s promising enough, but for any great good there must be something sacrificed and that something here is the history of the show.

Mulder and Scully getting back to basics means invalidating the mythology as we’ve known it to this point. It means Mulder and Scully have been deceived for over twenty years and we’ve been deceived for thinking they’re trustworthy investigators. It means Mulder and Scully have to go back to being merely partners and friends.

This certainly isn’t the first time Chris Carter has turned the mythology on its ear. Starting with “Gethsemene” (4×24), Mulder spent almost all of Season 5 believing that there were no aliens but that for years he had been led around like a (really cute) puppy on a paranormal string. Then it was clear that Mulder and Scully had already seen too much to be mistaken about the existence of extraterrestrial life. But now? Now that we know alien life is real but that the colonization story is false, does that make everything we ever knew clear or does that leave the whole thing fuzzier than a kiwi?

How does Mulder’s latest theory jive with Fight the Future and the aliens gestated by the Black Oil that the Syndicate was clearly afraid of? Because if aliens weren’t out to colonize the planet, Well-Manicured Man died for nothing. Of course, it’s entirely possible that there was a conspiracy above the Syndicate, that someone was deceiving the deceivers and using them to conduct tests on human subjects. Regardless, because of episodes like “One Son” (6×12), it’s undeniable that the Syndicate, at least, truly believed in a coming alien takeover via virus. If it wasn’t the aliens, who took their family members hostage and for what? Who exactly took Samantha?

And how does any of this fit with the mythology of Seasons 8 & 9? Where do the Alien Bounty Hunters come in? The Super Soldiers? William the Ubermensch and the messianic Navajo prophecies???

I’m asking these questions but I’m not foolish enough to expect to get the answers in the very first episode. I’m just wondering where it all leads and hoping it’s headed someplace good. The new broadness allows for flexibility. The lack of focus could potentially end in failure. I’m rooting for you, 1013.

The implications aren’t limited to the plot either. How do Mulder and Scully process as characters the fact that they fought to the death and back, sacrificed everything, and it turns out they’ve been on a fool’s errand for twenty plus years? Mulder and Scully are our heroes. What do we do when it turns out they didn’t know what they were doing for nine seasons? Climactic plot changes are cool and all, but I’m not a Clippers fan. I need to root for a team that wins.

Speaking of my team, by now you’ve heard about the big breakup. I have to say, it went down easier than I expected, probably because I was emotionally prepped for it… and there was champagne. But while I’m relieved that they didn’t go the I Want to Believe route, that Mulder and Scully’s romantic rumble didn’t become the focus of the episode, I still can’t say I’m behind it. Why? I’m glad you asked.

Mulder: How many times have we been here before, Scully? Right here. So close to the truth. And now with what we’ve seen and what we know to be right back at the beginning with nothing.

Scully: This is different, Mulder.

Mulder: No, it isn’t! You were right to want to leave me! You should get as far away from me as you can! I’m not going to watch you die, Scully, because of some hollow personal cause of mine. Go be a doctor. Go be a doctor while you still can.

Scully: I can’t. I won’t. Mulder, I’ll be a doctor but my work is here with you now… Look… if I quit now, they win. – Fight the Future

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Mulder: Scully, I was like you once – I didn’t know who to trust… In the end, my world was unrecognizable and upside down. There was one thing that remained the same. You were my friend, and you told me the truth. Even when the world was falling apart, you were my constant… my touchstone.

Scully: And you are mine. – “The Sixth Extinction II: Amor Fati” (7×4)

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Scully: You say this is greater than us, and maybe it is. But this is us fighting this fight, Mulder, not you! It’s you and me. That’s what I’m fighting for, Mulder. You and me. – “The Truth” (9×19/20)

————-

Scully: It’s what made me follow you… and why I’d do it all over again. – “The Truth”

Constants don’t bail because things get difficult. Constants don’t leave you when you’re down. True friendship is born in selflessness and self-sacrifice, because greater love hath no man than this. I have a hard time believing that Scully left a depressed Mulder for the sake of her own sanity, but I’m trusting it’s more nuanced than that and we’ll get the details later. Maybe she left him for his own good and not merely because she was sick of the darkness, because that’s been there, IWTBed that. Whatever the cause of this forced drama, one look at the two of them and you know they can’t stay apart for long, if they’re even really apart at all.

And you can call me Forest Gump because that’s all I have to say about that.

Verdict:

I was driving along on the way to work this morning thinking about The X-Files… you know, like any other day. And I realized that my musings were no longer about The X-Files as a piece of history. These are my musings on a real, live, brand spanking new episode. Hot. Dog.

Last night was the most excited I’ve been about television since The X-Files went off the air. I’ve never been so happy to hear a voiceover in my life. Mulderlogues… I even missed those!!! The first beat of that dulcet monotone and there was dancing and twirling and the raising of hands. And no, it was not a church service.

“My Struggle” isn’t perfect and I know it. But as a Phile, it’s mine and I’ll thank you for it. The clunky and obtuse dialogue, the conversations that threaten major revelations but never actually reveal them, the unceremoniously snipped plot threads… all mine.

The X-Files has its own rhythm, it’s own distinctive style of sci-fi drama. And you have to be able to appreciate the subtle camp of it in order to love it. Or maybe, you have to love it in order to appreciate the subtle camp of it. In terms of the history of the mythology, this doesn’t compare to anything that came between Seasons 2-5. But then, this was all just an excuse to get Mulder and Scully back anyway. Their reasons for working the X-Files are basically the same as before: There’s something big… big, big, big going on, something deeply sinister. And stopping it is personal for them both. Frankly, they both look like they could use some excitement, and so could I.

It’s funny, but as a long time fan, there are both more problems and fewer problems with this episode. More problems because we know the history of The X-Files, fewer problems because we have a history with The X-Files that trumps everything. In the words of the great theologian W. E. Houston, “It’s not right, but it’s okay.”

Despite Chris Carter’s best attempts to make government conspiracies relevant to a new generation, this was about drowning ourselves in a cool pool of nostalgia on a hot summer’s day. What a glorious way to go.

It’s not just the government. Everyone’s out to get you. Now go to sleep.

C+

Superfluous Comments:

Cigarette-Smoking Man – Phantom of the Space Opera

Sveta pulls a Gibson Praise on Scully. And like Gibson before her, she’s the “key to everything.”

“Gethsemene” turned the mythology upside down, put Mulder and Scully at odds, and presented more questions than answers too, but it was much more satisfying as a standalone episode, possibly because it came within the broader context of the series and not at the start of something new.

Mulder needs to stop picking on my “finally in the opening credits” Skinner!

If I were Scully, the fact that I had followed Mulder into a lie would have been a bigger emotional hurdle than his depression. Shouldn’t she have issues with trusting him? She’s lost her sister, alienated herself from the world, and gave up their son because she believed in Mulder and he was sure of what he believed. And speaking of William, the fact that she and Mulder live without fear for their lives means she could have kept him after all.

Not to be a troublemaker, but I wonder if Glen Morgan’s name getting top billing with Chris Carter’s in the closing credits has anything to do with the reverse trajectory of the show…

Mulder first heard from his Old Man informant ten years ago. That means he was onto the jagoff shoeshine tip before IWTB.

We even get a classic Mulder phone ditch. The earth does orbit the sun.

The Asian scientist –  I recognize him as the Asian scientist from “Firewalker” (2×9) and the Asian scientist from “Synchrony” (4×19). I wonder if he puts “plays a mean Asian scientist” on his resume.

You know what I could’ve lived without? I could’ve lived without Tad O’Malley hitting on Scully. You know what else I could’ve lived without? I could’ve lived without Scully mistaking Sveta for Mulder’s new love interest. Yeah. I could’ve lived without that just fine.

Best Quotes:

Mulder: My name is Fox Mulder. {Yeah it is!!!}

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Scully: It’s fear mongering, isolationist claptrap, techno-paranoia so bogus and dangerous and stupid that it borders on treason. {But what do you really think about The X-Files, Scully?}

———————

Mulder: She’s shot men with less provocation. {Yeah she has!!!}

Tad O’Malley: Funny. I heard you were funny.

———————

Tad O’Malley: Do you miss it at all? The X-Files?

Scully: As a scientist, it was probably some of the most intense and challenging work I’ve ever done. I’ve never felt so alive.

O’Malley: You mean working with Mulder?

Scully: Possibly one of the most intense and challenging relationships I may ever have. And, quite honestly, the most impossible.

I Want to Believe: I don’t think I’m the one who’s changed.


 

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This wasn’t the plan. Within a year of the series finale, Chris Carter and Frank Spotnitz were brainstorming an idea for the next installment in what everyone assumed would be The X-Files’ continuing feature film franchise. The release would be sometime in 2004. The fandom was out there.

But then, there were delays, and negotiations, and delays, and scheduling issues, and more delays… and a lawsuit. By the end of all that, Carter and Spotnitz were left to work with a small budget, an unsupportive studio, and a dwindling fan base; the cultural zeitgeist of the 90’s had passed and even if it hadn’t, Seasons 8 and 9 had laid waste to much of the public’s interest in The X-Files. Oh, and they lost all their plot notes so they had to scrap their previous ideas and start the script from scratch. Oh, and there was a writer’s strike during filming which meant they couldn’t fix any of the script’s problems.

I Want to Believe was a brainchild born under less than ideal circumstances. It’s little wonder then that it wafts whiffs of the smoke of disappointment. When I squint at it mentally, I see a middle aged man looking nostalgically back on his promising youth and trying to keep hope alive for the future.

But is it good?

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One plan that stayed alive from the beginning was to make this movie an extended Monster of the Week episode, a stand-alone, rather than write it as part of the larger mythology. This way audiences who didn’t know the series could get into it; it could generate general interest and pave the path for more films. As a fan who always leaned more toward the stand-alone episodes, I was and am all for this.

IWTB is an atmospheric, contained, pensive film. That’s what it needed to be, especially on a small budget. Personally, I wasn’t looking for loud explosions or dramatic special effects. I needed a Monster of the Week, not that was bigger and badder, but that was better than what I got in a typical episode.

To that end, the film is shot beautifully. The production went back to Vancouver and the director of photography from the series, Bill Roe, was brought back for this big screen effort so it looks like The X-Files. Someone new to the franchise would get a quick and easy idea of its trademark aesthetic. The setting, the chill, the darkness, it’s all perfect. And for a while, it convinces me I’m back home, imaginatively speaking.

But the difficulty in making this a MOTW is that it creates continuity issues for long time fans. When we last saw Mulder and Scully some six years previously, Mulder was on the run for his life after being given the death penalty by the F.B.I.. After being a part of the plan to help him escape, Scully ran off with him, and I don’t suppose she handed in her resignation either. We left them in a hotel room in New Mexico, hiding from an alien infiltrated government and on their way to Canada, ready to give everything in order to prevent alien colonization before D-Day 12/22/12.

In order for this to be a proper MOTW and still fit into the framework of the mythology, I assumed they would still be on the run or in hiding, but would somehow stumble upon an X-File, an outbreak of platonic paranormal activity or some such. I was sort of right about their being in hiding. Mulder’s hiding out in his home office while Scully lives openly, not under an assumed name, and works in a private Catholic hospital. There’s no underlying sense of urgency. (I’m sorry… when did the Super Soldiers stop posing a threat? I don’t need a mythology rundown, just a wee bit of context, please.)

After all that build up Season 9 about the government being out to kill Mulder, after Carter painted these two characters into the ultimate corner where they have no choice but to leave everything and everyone behind to take on the world by themselves, the threat is magically gone, just like Scully’s cancer, just like Mulder’s brain disease, and just like William. It’s safe for Mulder to walk into F.B.I. headquarters now. There are no Super Soldiers hiding in plain sight there. And the government doesn’t care about him one way or the other. “Just do us this favor and we’ll pretend none of it ever happened, Mulder.” Well, I’m going to do this plot a favor and pretend this issue was resolved in a much more satisfactory fashion.

In the grand scheme of things, how they get to this point is not a big deal. All that matters to me is that Mulder and Scully have an X-File to solve again. Mulder and Scully. Mulder and Scully.

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Is it too much to ask to see Mulder and Scully solve an interesting case… together? That’s all I want. That’s what I tuned into The X-Files to see every week. Instead we have Scully at first urging Mulder back into the land of the living only to retreat herself just as things get interesting. If IWTB is anything, it’s a character study, but not of Mulder, of Scully.

For first time viewers, it no doubt doesn’t matter. But for obsessive Philes, we know that Scully has a long history of being a paying passenger on Mulder’s crazy train. She’s briefly fantasized about normalcy in episodes like “Emily” (5×7) and “Dreamland” (6×4). And she’s questioned her life choices a few times in episodes like “Never Again” (4×13) and “all things” (7×17). But as in the ending of “all things”, she has reaffirmed her decision to continue tilting at windmills with Mulder over and over again. She did it, for example, in “Quagmire” (3×22), “Tooms” (1×20), “Paper Clip” (3×2), “Memento Mori” (4×15), Fight the Future, etc. etc. Scully wasn’t dragged into this quest and she hasn’t been dragged along. She’s invested in the journey.

Heck, she even reconfirmed her commitment in “The Field Where I Died” (4×5). It’s a strange day indeed when I have to use TFWID as evidence of anything good and true…

Anyway, the last time we saw Scully in “The Truth” (9×19/20) she was doing what she does best after debunking Mulder’s theories and that’s keeping him in the fight, like she did in “Little Green Men” (2×1), “One Son” (6×12), and “The Sixth Extinction II: Amor Fati” (7×4), to mention a few episodes of note. Scully is the official Keeper of Mulder’s Faith. And that’s why reading between the lines of the script, I believe ITWB was designed to turn the tables, that it’s meant to show us a weary Scully who now has to be urged back into battle herself by Mulder and by God.

This is potentially a very interesting and welcome moment of personal evolution for her character. Characters, like real people (and Scully is real), evolve and change. But if Scully’s going to jump from “Let’s fight the darkness, Mulder” to “I don’t wanna fight the darkness, Mulder” then we need some kind of context as to how and why.

I remember in the script stage talking a lot about what Scully could say and couldn’t say to [Mulder], that it couldn’t be selfish, her refusal to join him and wanting him to stop. She had to have legitimate reasons about where she was in her life. – Spotnitz, Blu-ray Commentary

Did going on the lam test her faith and her patience? Did she miss her family? Is that why she and Mulder settled down and she took a regular job again? Scully says that she and Mulder have a home and that she doesn’t want the darkness to creep back into that home. Is it that she and Mulder have finally found happiness and she doesn’t want to lose it? Or is it the relative peace that she values? ‘Cause they don’t exactly look like they’re living in non-marital bliss…

Is it that she’s rediscovered her calling as a physician? Are we supposed to understand she’s found fulfillment elsewhere now that she and Mulder aren’t chasing monsters anymore and that her work helping others has replaced the necessity of her work on the X-Files? Maybe it’s her relationship with young Christian, who is not so subtly named “Christian” and comes to represent both her lost son and the Christian faith she questions as she thinks on both her own losses and this young boy’s suffering.

If all that is the case, then I’m sad to say it doesn’t prove particularly effective as character motivation. The fate of the wide world rests on Mulder and Scully’s shoulders, but having Mulder out of the house for this case is too much for her to take? So she threatens to leave the only person who understands everything she’s been through? The person who she’s saved and who has saved her more times than she can count? Really? Well just roll me into a ball of confusion.

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When did Scully become that chick? When did she become the clingy girlfriend or the stereotypical cop’s wife for whom no emergency is worth her husband missing dinner? The woman who from the outside male perspective doesn’t appear logical, but purely hormonal? Scully’s suddenly the type to emotionally manipulate Mulder into doing what she wants by holding their relationship over his head?

In the interest of full disclosure, I have a very low tolerance for onscreen relationship drama. Breakup or don’t. I have things to do.

I think the tension between Mulder and Scully would have worked much better if it had stayed centered around the case. We’re used to seeing Mulder and Scully at odds. The tension between them comes from their different perspectives, which actually work in a sort of harmony to drive the plot forward. There’s no need to force feed us marital drama. If there’s tension between them, let it be about the work itself, not their personal romance.

After all, as ever, they’re ultimately after the same thing. Scully is trying to save a life and so is Mulder. Not only is she after the same thing, she’s going after it in the same way – by exploring extreme possibilities. Even if Scully is wrapped up in what she’s doing at the hospital, there’s no legitimate emotional reason given for why she wants Mulder to give up trying to save these women and come back home and be a good househusband. (Oh, are you losing Mulder’s attention? I am so sorry.)

But that’s enough of my sarcasm because this isn’t a horrible movie. In fact, it starts off really well. There’s a creepy murder. Mulder and Scully are on a new mission – the team is back together. Mark Snow’s music is as effective as ever. It’s dark, it’s atmospheric, Mulder’s spouting mumbo jumbo nobody cares about and Scully looks worried about him. All is well in my world.

I especially like how the movie keeps us guessing as to the current status of Mulder and Scully’s relationship. Is it just that she knows how to find him for the F.B.I. or that they’re in regular contact? Are they in regular contact or is she at home in that house? Even at the end of the movie, is Scully moving out and saying goodbye or is she leaving for another day at work? See how things don’t have to be out in the open to stay interesting?

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Unfortunately, though, the movie hops over the boredom line at about the halfway mark. As the relationship drama ramps up, the mystery itself winds down. Instead of taking time to develop the villain or up the stakes of the plot, IWTB focuses on Mulder and Scully’s adventures with the peodophile priest. Father Joe is played convincingly and even sympathetically by Billy Connolly. But the overall plot is sacrificed to the themes of persistence and redemption that Father Joe represents. I love those themes, but isn’t there still supposed to be a mystery here worth solving?

Father Joe is here more than anything to be the voice of God for Scully, to convince her not to give up on young Christian or her faith. But, Scully’s like the prophet Jonah. Some people she’d rather not see God forgive. There can’t be a more unregenerate soul than a priest turned pedophile, right? If so, then the theme that absolutely anyone can be redeemed and anyone who presents themselves available can be used by God comes through loud and clear. By the end, Scully seems to have accepted the message on behalf of us all. 

As ever in The X-Files, God, Providence is at work behind the events. These are themes Chris Carter keeps coming back to, no doubt because they’re a part of him.

Verdict:

It’s not great, it’s not horrible. It’s just okay. But “okay” isn’t a satisfying comeback after six years. And “okay” doesn’t get you a third movie.

I remember seeing this in the theater for my 25th birthday. One of my best friends had come down to help me celebrate my quarter life crisis and what perfect timing! Mulder and Scully were back. After the way Season 9 ended and the amount of time that had passed, I had assumed all momentum was gone and that there would be no movie franchise forthcoming. Imagine the thrill when I found out we were getting a new movie, and a MOTW at that!

I was duly giddy with excitement, but I couldn’t help noting that we were about the only ones in the theater. And while the movie started out great, even as I thoroughly enjoyed myself and was happy to be seeing Mulder and Scully onscreen even when I wasn’t thoroughly enjoying myself, I knew even then that this wasn’t the kind of movie that spawned yet another movie. Mulder and Scully waved to me and I waved back to them (shamelessly) with the sad knowledge that this likely really was the end this time.

And then it wasn’t…

“I think we always had the desire that we would potentially do a third feature. I think we all felt that the second one that we did wasn’t necessarily the right way for us to end.” – Gillian Anderson

“I feel like we didn’t end on the right note before.“ – Gillian Anderson

I so agree. And I’m so, so grateful that it didn’t end here. If this had been a mediocre episode of the series, I could’ve shrugged off some of its failings much easier. When I thought it was The X-Files’ last gasp, it was a more painful thought. I’ve gone through ups and downs in my feelings about IWTB, but I think I’ve finally learned to accept it for what it is.  IWTB sounds like an instrument tuning back up. But you don’t listen to the orchestra tune up without then sitting through the concert. This was The X-Files getting a feel for itself again. This was the actors connecting with the characters again. This wasn’t a fully satisfying outing that left you feeling like Mulder and Scully’s journey was complete.

In the end, I’m glad IWTB wasn’t sufficient to launch another movie. In the end, the only satisfying way to finish out this series is to finish it out as a series. A couple of hours of screen time isn’t going to cut it to resolve everything that needs to be resolved. We don’t know where this new miniseries will lead, if it will lead to other miniseries. But if I can see the old team solving cases together one more time, it’ll all be worth it.

C+

Misplaced Bush Jokes:

“This stubbornness of yours… it’s why I fell in love with you.” I HATE this line. It’s the low point of the movie and one of the most cringe-worthy moments of the entire franchise. And no, I’m not surrendering my shipper card.

Enough with the free ads for Google. Google’s doing just fine on its own.

Realistically, this stood no chance being released during The Dark Knight’s massive reign.

A gay man kills innocent people to harvest limbs for transplant for his lover as part of a Russian medical conspiracy. They really thought that would work as a plot, huh?

Amanda Peet and Xzibit don’t feel like X-Files characters.

Speaking of which, what was the point of Agent Whitney’s toothless Mulder crush? I mean, other than kinda grossing me and Scully out?

Scully’s abilities as a doctor were always suspect given her resume. But when did she find time while on the run from the government to undergo training in pediatrics? And now the pathologist is poking around in the brains of the living? Scully does a quick Google search then wheels the boy into the OR for an experimental procedure the same day?

And, really? We’re going to bring Scully back to Seasons 1 & 3 with the “Samantha is Mulder’s only motivation” schtick?

THE BEARD, THO.

I can’t believe the Russians would successfully do those surgeries in those kind of unsanitary conditions.

“Write it down. Put it in a book.” – HUH???

William left me with an emptiness that couldn’t be filled either. Let’s see what happens now…

Dear Revival – As you can see, we’ve already been there, done that with the breakup idea.

Movin’ On Up:

The Skinner Hug. Squeal me.

I remember the actress who plays the missing agent from “The Post-Modern Prometheus” (5×6). TPMP – My eternal debt to Chris Carter.

Between this and TPMP, it’s clear Chris Carter has a Frankenstein fetish.

Father Joe can’t have visions with Scully in the room. Echoes of the Stupendous Yappi in “Clyde Bruckman’s Final Repose” (3×4).

The hospital asks Scully to let go of her case, Scully asks Mulder to let go of his.

I love the effortless elegance of Scully’s hair.

Best Quotes:

Mulder: If it were me, I’d be on the guy 24/7, I’d be in bed with him kissing his holy ass.

Whitney: Father Joe’s a convicted pedophile.

Mulder: …Maybe I’d stay out of bed with him.

——————–

Scully: What is this?

Whitney: Dorms for habitual sex offenders.

Scully: Dorms?

Whitney: They manage the complex and police themselves. Father Joe lives here voluntarily with his roommate.

Mulder: Just avoid the activities room.

——————–

Scully: What are you doing?

Mulder: [Walks off] I’m trying to ignore you. {Editor’s Note: ME TOO.}

——————–

Skinner: I know Mulder. He’d get to a phone and call first. He wouldn’t do anything crazy.

Scully: [Looks at him]

Skinner: Not overly crazy.

 

Season 9 Wrap Up – There’s a lot of crap to cut through.


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Unbreak my heart.

“Working on a demanding show like The X-Files can take its physical toll on a person. I kept at it pretty regularly for the entire nine seasons,” Chris continues. “All I can say is on the last season of the show, I was writing or re-writing a lot and I would take a nap every day. As the season went on, it became two naps a day. Those nine years caught up with me pretty fast.” – LAX-Files, pg. 220

I would love to officially close out this rewatch of Season 9 and say that it was wonderful, tragically underestimated and that it exceeded my expectations. I would love to be able to conclude that our two new leads stole the show in every sense of the expression, that in the history of The X-Files, Season 9 was a new creation; old things had passed away, all things had become new.

But I can’t. I’d be lying. A new creation was what we needed, but it’s not what we got.

I don’t want this to turn into a diatribe on Season 9, and I also don’t want to expend any more mental energy on Season 9 than I have to for the sake of completion. So we’ll focus on a few main things that I think might have made the season better.

We needed a new mythology.

Because, no. Tacking on the Super Soldiers to the old mythology did not suffice.

I listed a series of questions in the review for “One Son” (6×12) that the Syndicate mythology still had left to answer when it ostensibly ended. But as of Season 6, the mythology had already grown way past anything the 1013 staff had originally hoped for and lasted well past what they had originally envisioned. It had grown large and unwieldy and Chris Carter decided to scrap it and do something new rather than dig a deeper hole and make it even more confusing. Um, that was the goal, anyway.

He did something “new” in “Biogenesis” (6×22) with alien gods, but it was still directly related to the mythology we were already familiar with. Then, with Mulder bowing out in Season 8, the Super Soldiers were introduced so that the new team, Doggett and Reyes, would have something fresh and scary to go up against. But the mystery of the Super Soldiers was tied to the mystery of the alien gods – was tied to the mystery of the Syndicate – was tied to the era of Mulder and Scully. We don’t have to play a game of Six Degrees of Kevin Bacon with it, either. The Super Soldiers went directly after Mulder and Scully’s baby and are working for the alien colonists that Mulder and Scully are working against. You can’t think of the Super Soldiers without thinking of the history of Mulder and Scully.

By the time we get to Season 9, not only are we more confused than ever by the connections between the conspiracies, but Doggett and Reyes aren’t on their own turf, they’re still effectively playing in Mulder and Scully’s sandbox. They’ve inherited a through-line so convoluted that:

“I looked at what many people had written about the mythology,” Spotnitz said, “and I was alarmed at how many people who are extremely knowledgeable about the show and had followed it religiously had drawn false conclusions and false connections between things… It was an amazingly complicated, sometimes convoluted conspiracy. I’m just astonished people stuck with it for as long as they did.”

But when I say that we needed a new mythology, I don’t just mean a plot that was brand new for Doggett and Reyes and for the audience. I mean we needed a new mythology because this one’s plot was a complete failure. The most interesting thing about it was how hard it bombed.

Please, no more alien gods. No more alien babies. No more god-like alien baby messiahs. And for the love of all that is Scully, if you’re going to write in a miracle child, don’t erase him like you wrote him on a whiteboard. No takesies backsies!

We needed the leads to star in their own show.

I think the plan to attach the fans to Doggett and Reyes by bonding them to Mulder and Scully, while it may have been the only plan available in Season 8, backfired. They became in effect, sidekicks; the less interesting sequel to a massive summer blockbuster.

I do believe they could have stood on their own as characters and that they had their own chemistry as a partnership. Yes, they started off as a reheated rehash of the Skeptic-Believer dynamic, which as I explain in the review for “Daemonicus” (9×3), probably should have stayed unique to Mulder and Scully. But they did prove in episodes like “4-D” (9×5), “John Doe” (9×7), and  “Audrey Pauley” (9×13) that they could hold their own and had the potential to build a unique dynamic. They needed cases that were suited to their strengths as a partnership rather than Mulder and Scully’s strengths. They needed to be free of Scully as the third wheel and free from the shadow of MSR. And they needed a quest all their own.

With Mulder and Scully, they had their marching orders from the Pilot (1×79). We knew why they were here and what they were doing. And while they were waylaid by Monster of the Week pitstops, we knew they were searching for something bigger in the X-Files and that these cases were merely detours or the chance to pick up small pieces of a larger puzzle. And both agents had not only a larger truth to prove or disprove, but they had personal reasons for being invested in their work; Mulder because of his sister and Scully because of her science.

Doggett and Reyes are never given their own mission or personal impetus to investigate the X-Files – No, Doggett’s crush on Scully doesn’t count as a personal impetus, nor does Reyes’ interest in Doggett.

Their fight against the Super Soldiers is an inherited fight. The closest thing Doggett has to a connection with the conspiracy is that an old, somewhat distant friend turned out to be a Super Soldier. Reyes? That her boss and former lover is nebulously aware of a conspiracy that he’s not directly a part of. If we’re being honest, the only reason they’re here is because they’ve become friends with Mulder and Scully. Considering what’s on the line, I don’t think that’s enough.

It was touched on in “Empedolces” (8×17), the idea that Doggett might be here because he wants to prove that there was nothing in the X-Files that could have helped his son. Unfortunately, this was never fully developed as a concept. Reyes’ reasons for investigating are even less developed. She gets “feelings” about cases and has a background in Religion. That makes the X-Files her dream assignment.

A genuine quest all their own, and motivations that carried real emotional weight – those two things could have made a world of difference.

We didn’t need Scully.

We didn’t need Scully or the little uber Scully. They should have run off with Mulder.

Not only did her presence force episodes to take precious time away from developing Doggett and Reyes as characters, her presence also inevitably invited comparison, conscious or not, to the time when Mulder and Scully used to investigate the X-Files. That inevitable comparison inevitably came out in Mulder and Scully’s favor, to the detriment of Doggett and Reyes’ budding partnership.

In fact, episodes like “Trust No 1” (9×8) and “Providence” (9×11) downright turned Doggett and Reyes into Scully’s sidekicks. They became supporting players in the continuing saga of Mulder and Scully instead of leads in their own, less melodramatic drama.

And even when the story had nothing to do with Scully, the script had to make room for her, whether she was useful to the plot or not. Most of the time, she wasn’t.

She spends the majority of the season doe eyes tearily wet with thoughts of Mulder. Either that or she’s crying out, “My baby! My baby!” O Scully, Scully. Wherefore art thou, Scully? What happened to the feisty redhead I once knew? The enigmatic doctor? The lofty example of female intelligence?

Just like that, the legacy of television’s favorite duo is cheapened into a tale of star crossed lovers and their accursed love child.

There has to be an end, Scully.

“If you ask me, we should have ended it two years ago,” Anderson said when the news was announced. “They couldn’t have found two better actors than Robert and Annabeth to take over, but the show was about Mulder and Scully.”

It was about Mulder and Scully and, unfortunately, it never stopped being about Mulder and Scully even when Mulder and Scully were gone. “The Truth” (9×19/20) only confirmed that fact. I second Gillian’s feelings – Robert Patrick and Annabeth Gish did an excellent job. The failure of the show wasn’t Doggett and Reyes’ fault. The failure had everything to do with business, the logistics of network television, and most of all, the writing.

In order for Season 9 to have worked, we needed a clean break with the past. We needed two new heroes on a new quest with new perspectives, new dynamics and new enemies. Instead, we got Doggett, Reyes, Skinner, Follmer, Frohike, Langly and Byers playing the dwarves to Scully’s Snow White. (I would have included Kersh, but that’s not seven anymore, is it?)

What we needed, really, was a spinoff. Now, I know very well that wouldn’t have happened, but in an ideal world and all that.

It was just a shame to see this iconic, legendary show that provided so much joy over the years end its run on a low note. Then again… without a proper death, resurrection means nothing. I’m so glad I can look back and say this wasn’t really the end.

On that note of hope, here are the final set of awards for the series proper:

Give it Another Shot

Sunshine Days

Gave it Another Shot

Improbable

No More Shots

Provenance

Best Shot

Audrey Pauley

Long Shot

Underneath

Shoot Me

Jump the Shark

Shoot the TV

William

The Truth 9×19/20: Maybe there’s hope.


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I’m here to regale you with yet another trip back into the memory of an X-Phile. Because what is “The Truth” if not a long exercise in nostalgia? Well, so is this.

I remember the buildup of anticipation for this episode, because it’s not really one episode, but two. Two episodes of The X-Files back to back? That’s as good as a movie! And with David Duchovny officially returning, surely the series was going to go out with a bang.

Well, it went out with lots of bangs. Some bangs, some disappointments, some head-scratchers, and lots of emotional flailings. And it all starts where it began – with Mulder.

Listen, kids, you have no idea what seeing David Duchovny’s face fill the screen after all that time did to a girl back in the day. If you binge watched your way to this point, not counting flashbacks and eyeball cameos because they don’t count, then you waited approximately 774 minutes. I waited approximately 8,760 hours. Yes, I counted. Season 9: The struggle had been real.

2016 still found me flipping out with relief. I may or may not have repeatedly called out Mulder’s name like I had spent years stranded alone in the television wilderness. Because I had.

And true to form, no sooner is Mulder back than he’s already sticking his nose where it doesn’t belong. I’m frustrated. I’m yelling at him. I’m thrilled to be doing so. Still, I wonder… how did he manage all this funky poaching without the Lone Gunmen? Top secret military facilities don’t do headcounts? No one noticed Mulder is the only one who hopped off the helicopter without a briefcase?

Guard: What are you thinking?

Mulder: About my son… about his mother.

Guard: Wrong answer!

No, right answer. Right. Answer.

Side Note: Am I the only one who watches these brainwashing scenes and has flashbacks to Star Trek: The Next Generation? “There… are… four lights!”

Anywho, by the time the torture is all over we’re not sure, or we’re not supposed to be sure, whether or not Mulder has finally lost his marbles. He sees dead people… and he’s a guilty man. He’s failed in every respect. He deserves the harshest punishment for his crimes.

Scully isn’t sure either which is what creates the delicious tension in their initial reunion. But she should have known because Mulder keeps calling Scully “Dana” and Skinner “Walter.” Which is code for, “They’re watching.” This also serves as further proof that the emails in “Trust No 1” (9×8) were either forgeries or carefully encrypted messages. I want to believe.

Because you see, when you believe, mountains move, seas part, and Mulder grabs Scully and kisses her like the world’s about to end… because it actually is.

I consider this moment my personal reward for making it to the finish line of Season 9. You can consider it whatever you like, but they did that for me. And the best part, the BEST part of the whole thing is watching Skinner’s awkward bald head squirm in the background.

Oh, the squeals. The flails. The sweet agony. I don’t know what it is, but these two people do deep things to me.

So go ahead. Write me off as a cheap shipper. ‘Cause Jimmy crack corn and I don’t care.

Mulder ‘n Scully 4EVA!

Mulder: Come here you big, bald, beautiful man.

And now back to our regularly scheduled adulthood…

Scully: Mulder …

Mulder: They can’t try me without exposing themselves. I know what I’m doing. {Editor’s Note: No, you don’t.}

That scene, beautiful as it is, transitions awkwardly and unconvincingly into the next.

Scully: Mulder, it’s me. {Editor’s Note: The last one! *sobs*}

Mulder: Is it time to go?

Scully: No. That’s why I’m here. Mulder, I need you to talk to me, confide in me, or we’ll lose.

Mulder: We can’t win, Scully. We can only hope to go down fighting.

Scully: You’re scaring me! Mulder, I’m so scared that I’ve just got you back and now I’m going to lose you again!

Mulder: I know what I’m doing. {Editor’s Note: No, you don’t! Stop saying that!}

Scully: Well, whatever you’re doing… you have no idea how much has already been lost… What I’ve had to do.

Mulder: I do know. Skinner told me.

Scully: [Crying] Our son, Mulder! I gave him up! [Mulder embraces her] Our son! I was so afraid you could never forgive me.

Mulder: I know you had no choice. {Editor’s Note: Bullcrap.} I just missed both of you so much.

Scully: God, where have you been? Where have you been hiding?

Mulder: In New Mexico. [Buries his face in her shoulder]

Scully: Doing what?

Mulder: Looking for the truth.

[They both chuckle… because he sounds as ridiculous as ever]

Scully: You found something, didn’t you? Huh? What did you find?

Mulder: I can’t tell you.

Scully: You found something in that facility? That’s what you were doing, right? Mulder, what did you find out there?

Mulder: Scully, I can’t tell you.

Scully: That doesn’t make sense! {Editor’s Note: No, it doesn’t!}

Mulder: You’ve got to trust me, Scully. I know things it’s better you don’t.

First of all, I’m not sure what to do with the sudden surfeit of Mulder and Scully interaction. It’s like eating Thanksgiving Dinner after fasting for 40 days and 40 nights. People have overdosed on less.

Second of all, so that’s it for William huh? That’s the emotional resolution we’ve been waiting for? Look! I can ignore the elephant in the room too. Watch.   

………

Can we just talk about the way they look at each other? Can we? I always lose it when Mulder buries his head in Scully’s shoulder.

I was premature about that whole adulthood thing.

The main point of this conversation is that Mulder’s holding powerful information back from Scully. Whatever it is he read in the Matrix, he’s keeping it to himself at the risk of his own life.

Now, at this point, between the action, the emotion, and the dearly missed Mulderisms, things have been going pretty well. Then here we go with the secret F.B.I. tribunal. A kangaroo court of a kangaroo court. It’s like television time suddenly slows to a crawl.

Mulder: What’s really on trial here is the truth!

I roll my eyes so hard I think I strained the right one. I watch the rest of the episode with an eye patch. I am the Dread Pirate Ship-Hurts.

This trial is ridiculous. Boring and ridiculous. I can’t even pretend to swallow the premise.

Kallenbrunner: All these ETs running around. It’s hard to keep these aliens straight without a scorecard.

I understand why they did it, certainly. There were 9 years worth of mysteries that needed clearing up. And a good part of the audience for “The Truth” would be casual fans and former fans who hadn’t necessarily kept up with the mythology. Oh, who are we kidding? Committed viewers hadn’t kept up with the mythology.

Everyone has to be able to follow along. What’s more, the information is needed and appreciated. It’s been a long, fun, confusing ride.

At the same time, this is exposition hell.

Kersh: Is this all leading anywhere?

Mulder: Yeah. The destruction of mankind.

Isn’t it always?

A few points of interest on the way to Armageddon:

  • Mulder sparing Marita at his own expense is so him.
  • Jeffrey Spender’s an ally now? The enemy of my enemy is my friend?
  • I still don’t understand the logic. Why would the Syndicate, if they did discover a vaccine, only choose to save themselves? They can still be killed even if their bodies aren’t taken over. Wouldn’t humans be more likely to survive in large numbers?
  • After all these years, we have confirmation that the Bounty Hunters were of a different alien race with the Colonists. And, newsflash for me, they were infected with the Black Oil all along.

By now I’m sure you’ve noticed that all mention of cosmic prophecy, tales of William as the new messiah, all history of Mulder’s alien brain adventures, the aliens as “God”, hints at divine intervention… all of it has been conveniently forgotten. Let’s be real – it’s been scrapped.

Well, except for that last part. Chris Carter will pick that up again in the last scene. Suffice it to say, “Provenance” (9×10) and “Providence” (9×11) have been all but rendered irrelevant. Which is no doubt for the best.

Kallenbrunner: She gave up the miracle child? The proof of everything that she and Mulder claim that they’ve risked their lives for over the last nine years – she just sent it off to some strangers?

Oh, this bothers you too??

Reyes: You don’t care what these people have sacrificed over the last nine years, what’s been lost to their cause. You make a mockery of it, gladdened it proves your point.

Kersh: Agent Reyes, that’s enough!

Reyes: What is the point of all of this? To destroy a man who seeks the truth or to destroy the truth so no man can seek it?

No one speaks like this, Chris. Stop it.

Kersh: You’re out of order and in contempt of court, Agent Scully.

Scully: You’re in contempt!

What is this? “And Justice for All…”? If it is then you’re all out of order.

Mulder: A bullet between the eyes would have been preferable to this charade.

Agreed.

Mulder: If I am a guilty man, my crime is in daring to believe that the truth will out and that no one lie can live forever. I believe it still. Much as you try to bury it, the truth is out there. Greater than your lies, the truth wants to be known. You will know it. It’ll come to you, as it’s come to me faster than the speed of light.

Seriously, though. What in the Shakespearean, heck?

Other than confirming that the Super Soldiers are a part of the updated plan for colonization, all this exposition and we still aren’t given an explanation as to why. Why the Super Soldiers and not the Bounty Hunters? Why do human governments need prepping when the aliens have the method and the means to wipe out the human race without human assistance? Why not continue to use the Black Oil to create human pawns? Because Super Soldiers are more durable?

Kallenbrunner: We’re trying a man for murder, not taking a trip down memory lane.

I’m sorry. Maybe no one told you why we’re here.

That’s basically all this was – a trip down memory lane. The clips were pleasant reminders of the past, but I didn’t tune in to watch a clip show. From what I hear, one of the options under consideration had the show ended in Season 8 was to air a one hour television special summarizing the mythology before the finale. I think I would’ve liked that better.

Kallenbrunner: …you describe Mulder as “arrogant,” “difficult,” “a control freak widely disliked by his peers”… This report calls him “unstable prone to violent outbursts.”

Yes… yes. Mmmhmm. Yep. All true.

He can be the most aggravating man. And I love him.

Scully: You say this is greater than us, and maybe it is. But this is us fighting this fight, Mulder, not you! It’s you and me. That’s what I’m fighting for, Mulder: You and me.

PREACH, Scully!

That’s the only solid truth we find out here. That this was only ever really about the journey of discovery made by two people, their spiritual evolutions as individuals and their coming together in an unbreakable bond.

That’s why as frustrating as the lack of either any real development or resolution to the mythology is, in the end, it almost doesn’t matter. Almost.

The action picks up again… finally… when there’s a jailbreak. It’s an awfully easy jailbreak, but I’ll take it. Then we have one last blessed reunion of souls, possibly the last time we’ll see Mulder, Scully, Skinner, Doggett, Reyes… and Gibson… and Kersh?… altogether, before Mulder and Scully take the long road to freedom.

Oh, I’m sorry. I meant, “Mulder and Scully take the long road to Grandpa’s house.”

There’s a cute moment, before the audience realizes Mulder’s about to do what he does best and ignore Kersh’s advice to get out of the country immédiatement, when Gibson gives a slight shake of his head there by the side of the road. He’s read Mulder’s mind and knows Mulder’s about to zig when he’s supposed to zag, that they’re not really headed to Canada, they’re headed to New Mexico to see a man about the truth.

Like I said, Grandpa’s house.

Mulder’s real father, Cigarette-Smoking Man is still alive, not because it makes any sense, but because a finale without him would somehow be soulless and incomplete. And I’m okay with that.

I wondered initially how Mulder managed to infiltrate the Mount Weather facility without the Lone Gunmen to help him. It turns out that CSM was helping him all along. He was the one who tipped Mulder off to the information hidden there and he’s the one who gave Mulder the tools he needed to get in. Is this because, deep down, he has real affection for his son? Affection that the series has hinted he might have for a long time? No. It’s because he doesn’t just want Mulder dead, he wants to see him broken and in the fetal position.

And what is the truth that will finally break Mulder after he’s already lost his sister, his father, his mother, been taken to the brink of death and resurrected by an ancient ritual, been infected by the Black Oil, watched his dearest friend nearly die from cancer because of his quest, suffered a brain malfunction that nearly killed him, had his head cut open and cut into, survived a mysteriously disappearing disease and been tortured by aliens? After he died, was buried and rose again?

Colonization is happening on a schedule.

This? This is the big reveal? The date? You mean I sat through all that talk and the reward for my longsuffering is a date? Unless it’s the date of my marriage to Robert Downey, Jr., I don’t care. What difference does it make if it’s 12/12/22? Everyone already knew colonization was imminent. In fact, I don’t understand why Mulder and Scully haven’t had a fire lit under them from the point the Syndicate was killed.

And how would sharing this information at his mock trial have saved Mulder?

Let me not think too hard about it. There’s no more thinking past this point. Scully hears the truth Mulder tried to keep from her and is as unfazed as I am. Doggett and Reyes abandon Gibson to warn Mulder and Scully that the enemy knows where they are. Knowle Rohrer comes back for one last slow walk of menace before getting destroyed by magnetite for good (because CSM wouldn’t hide out in an unfortified hole). Bombs over Baghdad. CSM dies… but he’s a cockroach so don’t count him out. Doggett and Reyes ride off back to D.C. to put the pieces of their F.B.I. careers back together. Mulder and Scully ride off stay in New Mexico. Why do they stay in New Mexico?

“The Truth” is we get a little action, an emotional reunion, excesses of exposition, a little action, a short reunion, and an excess of explosions.

And then, like we did in “Requiem” (7×21), we get a tenderly formed bookend to what Scully once called “the greatest of journeys”; Mulder and Scully back in a little motel room, back where we first met them, bonding in the dark as the rain falls. Once again, Mulder shares his heart. Once again, Scully sees something in this man that causes her to stay when reason says she shouldn’t.

Only this time, instead of Mulder recruiting Scully into the fray, Scully’s the one encouraging Mulder to fight. She’s the believer here, and he’s the skeptic. And I love that what he’s sown into her he’s now reaping.

They’re still recognizable as the young idealists they both were, but they’ve been changed and humbled by their experiences – In a good way. And the bond between them that started that night in the Pilot(1×79) has been strengthened exponentially.

Scully: You’ve always said that you want to believe. But believe in what Mulder? If this is the truth that you’ve been looking for then what is left to believe in?

Mulder: I want to believe that the dead are not lost to us. That they speak to us as part of something greater than us, greater than any alien force. And if you and I are powerless now, I want to believe that if we listen to what’s speaking, it can give us the power to save ourselves.

Scully: Then we believe the same thing.

Mulder: [Meaningfully touches Scully’s cross before joining her in bed] …Maybe there’s hope.

So they found the truth about alien life Mulder was looking for, more or less. So what? The truth is not too mysterious, nor is it afar off. In the end, this journey was never about searching for the truth in some extraterrestrial plain. It was about realizing that nobody gets there alone. It was about both of them finding inside themselves hope in something outside of themselves, something greater. And it was about seeing that hope reflected in each other, because love hopes all things.

Verdict:

Wow. And here we are. We’ve come all the way from the Pilot to the end of the series proper.

It’s funny. For all Scully muses hope, after this episode aired I thought for sure hope of a movie was all but gone. Mulder and Scully were on the run, which I thought was both a great way to end it and a possible lead-in to other things. But there wasn’t much here, outside of David and Gillian’s legendary chemistry, to make you care about what those other things were.

But I was gloriously wrong. It wasn’t the first, and may it not be the last time.

It wasn’t the finale I dreamed of, no. Yet, I cried and flailed and talked back to the TV because somehow, this all means something. Which is why I find myself here, writing a reviews about a show deader than Lazarus, deader than Mulder, but that’s miraculously risen from the grave.

In my heart, at least, it’s never died.

B-

Musings of an X-Phile:

Mulder: [Voiceover] I want to believe, so badly, in a truth beyond our own hidden and obscured from all but the most sensitive eyes… in the endless procession of souls, in what cannot and will not be destroyed. I want to believe we are unaware of God’s eternal recompense and sadness. That we cannot see His truth. That that which is born still lives and cannot be buried in the cold earth. – “Closure” (7×11)

The above is to show that Chris Carter has already worked these themes deeply into The X-Files. Doesn’t that sound awfully similar to the speech he gives Scully? Samantha’s abduction and the search for the truth it inspired, Mulder’s search for “God”, was always about making sense of loss, finding purpose, and the redemption of suffering.

It was also about reconnecting with those lost to us and finding they’re not really lost, which Mulder certainly does here. It was a great reunion seeing Krycek, Mr. X, and, of course the Lone Gunmen. Seeing Mulder interact with all of them were the highlights of the episode aside from his scenes with Scully.  

Mulder used to be a single crusader, now he has not only a partner, but several allies. And he knows that he still needs, and has, the help of allies past. And maybe even a Greater Ally? Because no one gets there alone.

Superfluous Observations:

At the beginning of Scully’s testimony, Mulder isn’t even in focus but you can see the pride on his face as Scully recounts how they met. And is that a bit of a smirk I spy on Scully too?

Does Reyes always keep a gun in her jeans when she’s hanging at her boyfriend’s house?

I needed much more Mulder and Krycek. They really are like brothers… Thor and Lokie style.

The say 3 judges were leaning in Mulder’s favor. Why on earth…

Of course Mulder was with Gibson! He can hear trouble coming! That was perfect.

The magnetite was in the meteor that originally destroyed alien life on earth and it’s the same metal that downed the Roswell UFO.

Scully would have known that touching that body would render the evidence unreliable.

Bill Mulder’s influence on the boy he thought was his son echoes the influence Mulder was supposed to have had on William according to the prophecy.

Skinner, Reyes and Doggett are back at the F.B.I. with the Toothpick Man and why does everyone have so much chill?? Gibson already outed him as a Super Soldier.

Speaking of Toothpick Man, I recognize him and the General from various outings, but they were both on XF alumnus Howard Gordon’s 24.

Wait, in “William” (9x), I thought it was the Super Soldiers who subjected Spender to those tests? CSM was behind it?

I’m still ridiculously emotional watching this episode. I can’t actually make it through the final scene it one sitting. There are lots of pauses and rewinds and time outs. And the music! Mark Snow, have mercy.

“It’s what made me follow you… and why I’d do it all over again.” – I’m going to take this, carve it in wood, and spank Scully with it come I Want to Believe.

After a fresh rewatch, I’m more flabbergasted than ever that they’d break these two up. Someone tell everyone involved to go back and watch their own show.

Sunshine Days 9×18: I see it all, man.


SunshineDays130

I think I’ll go for a walk outside now.

Here’s the story

Of a girl named Scully

Who was on her way to being an MD

The FBI said won’t you come

To Quantico

The rest is history

 

Here’s the story

Of a boy named Mulder

Who was busy with his bat crazy theories

He was looking for ETs

They took his sister

Now they call him Spook-y

 

Till the one day when the redhead met our fella

And they knew that it was much more than a crush

That this kook must take her from her family

That’s the way that they became The Spooky Bunch!

 

The Spooky Bunch!

The Spooky Bunch!

That’s the way they became The Spooky Bunch!

[Insert Commercial Break]

 

I have a completely different appreciation for “Sunshine Days” now in 2016 than I did back in 2002. Actually, this appreciation first began in 2011, so 2016 really can’t take credit for it. I didn’t know that everyone hated “Sunshine Days” the way that I used to until I started this blog. I even wondered if I would still appreciate it after yet another rewatch or if it would fall back down the esteem ladder like “El Mundo Gira” (4×11).

I do remember how I felt originally. We were one episode before the finale. Scully had just given up her precious messiah of a son the previous episode. And what is this we’re doing? Having a bounce house party? What the heck is Scully smiling about??

Time and distance may not heal all wounds, but they almost always lower expectations.

There’s no emotional resolution to “William” (9×17) in sight, but that’s not this episode’s fault. There was no mention of William in “Release” (9×16) either. Even though that was because the episodes aired out of order, the final result is the final result. With that in mind, I can convince myself that some time has passed between Scully succumbing to a case of the stupids and this episode. Anyway, I’ve no doubt 1013 was holding on to any semblance of emotional resolution until Mulder returned for the finale. Besides, the only possible acceptable resolution in my mind would be Mulder and Scully getting their baby back.

One last scary episode before the finale was what I wanted instead of “Alone” (8×19) in Season 8. But that was back when we had both Mulder and Scully. Having a traditional Monster of the Week would almost be moot now. What we’re getting instead is a personal goodbye to the audience. This episode is one giant “I got you” to the fans from Vince Gilligan.

Everyone knows that Vince Gilligan came to the writing staff of The X-Files in Season 2 as a fan. Talk about a dream job. And his affection for the show and the characters has always been clearly evident in his writing. Heck, even when he writes for his own show he throws in nods to The X-Files!

I love you, Vince.

Anywho… Fans get fans. Fans know why fans watch. They know that good entertainment, entertainment that has touched us somehow, be it TV shows, books, art, whatever, that it lives on in our imaginations long after it’s gone. Once it enters the human heart, entertainment can become something bigger than itself.

Doggett: One big question – Why The Brady Bunch? Seriously, you two are fans. Why are people still watchin’ a thirty year old TV show?

For Oliver/Anthony, The Brady Bunch was his Happy Place. It wasn’t so much the show itself, it was how the show made him feel. It became real to him and he could bring it back to life anytime he wanted to. Of course, it was never really The Brady Bunch as a thing unto itself, it was the experience of watching it.

More importantly, it was the experience of watching it with the person he loved. Because, as ever and as in “Je Souhaite” (7×21), Vince is back to remind us right before the finale that the most important things, while they may be beautifully represented on a TV show, are to be found in real life – in real, imperfect life and real, imperfect relationships.

Doggett: So close, Dana. I’m sorry you don’t get your proof.

Scully: Me too. Well, maybe I’ve had it these past nine years. If not proof of the paranormal, then… of more important things.

I hear you, Scully. That’s what I’ve gotten proof of. Proof that there’s such a thing as fighting the good fight. Proof that some truths are worth dying for. Proof that unconditional love is a truth that resonates in the heart of every human being.

And what’s more, this time I found that proof all over again with all of you.

This was never about The Brady Bunch. It’s about The X-Files… and the X-Philes and all the relationships that lie therein.

Verdict:

Far from my opinion going back to where it originally was, this time around I may have even teared up the slightest bit right there at the end. I don’t know about you, but this is what I heard:

I know it’s sad that it’s over. Just remember, once something takes hold in your heart, it never really dies.  And The X-Files will never really die, because you can come back here any time you want, any time you need to. You can think about it and it’ll be here. Don’t get stuck here, though. Don’t forget to live. There’s a real world out there waiting. And nothing replaces real love.

Doggett: Well, here’s hopin’ the TV stays off and he learns how to love the real world.

Don’t worry. Keeping up the fantasy was slowly killing Anthony. We won’t make the same mistake. Besides, The X-Files is off the air. All is darkness and smog. The new revival, though…

And may I just say, I loved Doggett and Reyes more this episode than I have all season. Doggett was downright funny. He’s right. It’s a shame he’s losing this job just as he gets the hang of it.

A

Crazy Bread:

They can take a show off the air, but they can’t take away my head cannon.

I wonder how much they had to pay just to be able to whistle The Brady Bunch theme?

I’m sure you recognized David Faustino from Married… with Children.

Unless my memory of “The Truth” (9×19/20) fails me, this was Scully’s last autopsy.

That moment when you think a guy is urinating on the ground and he’s actually toasting his dead buddy.

Can you imagine if we Philes could actually walk into the basement office?

Did Doggett and Reyes just walk off into the hallway sunset?

Oliver didn’t murder those people, he accidentally killed them. Yes, he gets a pass.

Doggett makes logical inferences and comes to an extreme conclusion without being inconsistent as a character and turning from a complete skeptic into a total believer. Dagnabit, where has Vince been??

Scully, too, considers what Mulder’s position would have been without trying to be Mulder or turning into anything other than a curious scientist. (Seriously though. Was he on a break?)

Best Quote:

Doggett: And there’s no end to the harm he could cause if he goes off the deep end, which isn’t too long a walk for this guy, in case you haven’t noticed.

————————

Scully: Oh, so maybe I watched an episode or two.

————————

Doggett: A. Eyewitness places the deceased inside this house just prior to the time of his demise. B. We found a fragment of roofing shingle at the scene of the impact. It would seem it matches the discarded piece you now hold in your hand. C. There’s a hole in the roof, recently patched, this big around. Connect A to B to C.

Reyes: Much in the fashion of, say, Daffy Duck or Wile E. Coyote, the deceased shot straight up through the roof, flew high into the air and landed on his buddy’s car? You’re serious?

Doggett: A to B to C. I gotta tell ya, I think I’m finally gettin’ the hang of this job.