Tag Archives: X-Cops

Season 7 Wrap Up – You don’t want me looking foolish.


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Let me preface this by saying that I don’t mean this insultingly. But if I had to pick one keyword for Season 7, it would be “Self-Indulgent.”

At this point in the series, the cast and crew of The X-Files have been churning out classic television at an unbelievable clip for the past seven years. Their work schedule was famously insane, averaging almost twenty-two one hour episodes a season. Somehow, despite that, they were able to function at such an impressively creative level that the numbers of the show’s fans keep increasing with time, some thirteen years after it went off the air. Not only was it a pop culture phenomenon in its day, but it remains such a present part of the public’s consciousness that Fox is airing a six episode revival of the series starting in January. If it’s successful, there have been hints of more to come.

I know I’ve just jumped from Season 7 into the future, but my point is that the talents behind The X-Files had earned a little self-indulgence by the time Season 7 rolled around. They had worked hard, they had made the show a success and, what was key, they had no idea if they’d be back for an eighth season. Fox didn’t officially renew the series until almost a week before “Requiem” (7×22) aired, meaning the final episode of Season 7 was written and shot without Chris Carter being sure whether he was ending the season or ending his series. From what I’ve read, the vibe behind the scenes was “This may be it.” And if Season 7 was “it,” then it was their last chance to say what they had to say and try what they wanted to try. I can’t blame them and I don’t.

How does Season 7 indulge itself? Let us count the ways.

  • Chris Carter’s Basic Instinct homage in, and frankly all of “First Person Shooter” (7×13)
  • Vince Gilligan creates a crossover of two of his favorite shows in “X-Cops” (7×12)
  • William B. Davis writes himself real screen time with Scully in “En Ami” (7×15)
  • Gillian Anderson cues us to the importance of chakras in “all things” (7×17)
  • David Duchovny hosts a block party in “Hollywood A.D.” (7×18)
  • Mulder & Scully flirting like they didn’t know how to stop in almost every episode
  • A third of the episodes taking place in the production’s home state of California
  • The mythology’s loose threads are ignored in favor of the new alien-gods

Deserved? Yes. And some moments are more successful than others. The overall result, though, is that the season feels largely unfocused. It’s like a free for all. Eat, drink, and be merry for tomorrow we get canceled.

I think part of the lack of focus and direction is due in part to the mythology not serving as the series’ backbone any longer. The X-Files is wobbling around without an alien conspiracy to hold it together. Not that there weren’t still unanswered questions about the conspiracy that the fan’s wanted addressed, but they weren’t vital questions and the series seemed content to move forward without answering them. But if “Requiem” proves anything it’s that there was still life left in the pre-Season 7 mythology.

Season 7 doesn’t act like it, but the human race is on the verge of complete annihilation. The threat of alien takeover is still there, it’s just not being addressed. Why isn’t there a fire lit under our heroes? ‘Cause Mulder and Scully certainly aren’t acting like they have anything to be concerned about. They’re flaunting their flirtation at the Bureau’s policy against male and female agents consorting in the same motel room while on assignment. But, they’re together now, as the not-so-subtle jabs to the audience’s ribs often remind us.

And I’m glad of their togetherness, don’t get me wrong. It was well-earned and well-timed. Stringing the fans on too long becomes palpably artificial past a certain point. Season 7 was that point. Stringing Mulder and Scully themselves along would have felt disingenuous too. They had reached a catharsis in their relationship and that’s good. You don’t have to keep ribbing me about it. That’s bad. The end result is that Season 7’s main legacy is the ongoing debate over when Mulder and Scully started having sex. That’s really bad.

So, the mythology is largely resolved. Mulder and Scully are at peace. Samantha’s dead. What are we here for? The Monster of the Week episodes? Most of those have been lackluster and weak. There’s no driving force behind the season, no push or pull, no sense of urgency or adventure. When The X-Files first started, Mulder and Scully were on a quest. Now there is no quest, just a rag-tag mix of episodes. The result is that Season 7 feels like a coda to Season 1-6’s main piece. Mulder and Scully have done all they came here to do and things are winding down.

It may just be the natural progression of things. Everything has a beginning, middle and end. The story and relationship arcs The X-Files started off with have inevitably run their course.

Maybe.

I can’t help but wonder inf 1013 Productions had known early on that there was going to be a Season 8, if they could have planned ahead and plotted out the show’s trajectory for Seasons 7 and 8 the way they did for the mythology of Seasons 4, 5 and 6… I wonder what the show would have been like.

Shoulda, woulda, coulda territory, I know….

We have what we have, and what we have is a stagnant series. Season 7 is standing still instead of heading somewhere. It’s not going backward towards the show’s roots or forward into a new battle for Mulder and Scully. It’s just kind of biding its time, spinning in circles until the show ends.

What I’m seeing on my screen is a show that’s suffering from chronic self-awareness, that’s bored with itself, and that reads a little too much like childish fanfic: “What would I make Mulder and Scully do if I could make them do anything?”

Maybe it’s me. Maybe it’s the Season 7 Year Itch. When it first aired, there were five episodes I actively resented, and seven more I passively disliked. Twelve out of twenty-two ain’t good. The rest I found middling with a few bright spots dispersed here and there.

I came to a sober realization this rewatch –  most of Season 7 I will never watch again.

On that sad note, here are the awards for the season…

Most Improved

all things

Least Improved

First Person Shooter

Missed Opportunity for Backstory

The Sixth Extinction II: Amor Fati

Deceptively Deep

Signs and Wonders

Successfully Experimental

Hungry

Overrated

Je Souhaite

Underrated

Theef

X-Cops 7×12: With all due respect, what the **** are you talking about?


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It all depends on how they edit it together.

It’s not you, Vince. It’s me.

I realize we haven’t talked for a while, or ever, but I believe it’s best if we’re absolutely open and honest and each other. Because good relationships, like Mulder and Scully’s, are built on mutual respect and trust.

Now, you know I’m not the touchiest feeliest type, but with all my little grinch heart I do love you. Way back in “Soft Light” (2×23) I knew there was something special about you. Maybe it was your sense of humor, your obvious love for the characters that came out in the dialogue, your well-placed touches of continuity… because you always were the King of Continuity, Vince. I don’t know what it was exactly, but I knew that you had it.

Then along came “Pusher” (3×17) and I was just gone. Maya Angelou once said that people will forget what you did but they’ll never forget how you made them feel. Well, “Pusher” makes me feel things, Vince. Happy things. Those happy, gushy, illogical feelings that you get when you’re watching really, really good television. You wrote and directed “Sunshine Days” (9×18), so I know you know what I’m talking about.

I’ve always thought your biggest strength is that you’re a fan first, a fan who can write like the dickens. As a fan then, you’ve had those moments when, for whatever reason, your favorite television show doesn’t do it for you one week. Maybe you had a cold. Maybe it was the weather. Maybe you didn’t like the guest star. Whatever. It could be anything. But it happens.

Well, it’s happened for me, Vince. It’s happened for me with you. It’s “X-Cops.” I just… can’t.

Don’t get upset! Please! I don’t want this to come between us. I’d hate like the devil for that to happen.

I know you’re a genius and I believe in your powers. But this just isn’t my brand of humor. I mean, I suppose I can do broad humor. It may have taken me a little longer than most to warm up to “Bad Blood” (5×12) but we get along fine now. And I’m a huge fan of I Love Lucy. So maybe I’m just a hypocrite. It really is me, not you.

But in my heart and in my mind, there’s broad and then there’s wide enough to straddle Manhattan. Each time “X-Cops” comes up on one of my rewatches I try my darndest to give it a fair try, but when Steve and Edy come on the scene, you lose me. They make The Birdcage look like an exercise in dramatic restraint.

I’m not insulting your taste because I worship the ground you walk on. I do. Or at least I imagine I would if I were anywhere near the ground you walk on… and if worshiping you weren’t blasphemous… and psychotic.

But you know how Chris is famous for saying The X-Files is only as scary as it is real? Well, if you get really real it ain’t scary either. Not that you meant for this Boggart – because that’s what this Monster of the Week effectively is, a Boggart – to be truly frightening. Still, when you take Mulder and Scully out of their alternate universe and drop them in mine, something feels off. Really off.

Frankly, you did too good of a job. The creativity and accuracy in this one is impressive. Actually, this feels so much like an episode of Cops, down to the impeccably done intros and outros, that I’ve lost the sense of mystery and wonder that I’m used to getting week after week…. not that I’ve been getting it very much recently. Season 7’s been rough on me. I’ve kinda been losing the loving feeling. So, like I said, it’s not really your fault.

But I guess I’m like your mom. I read your Entertainment Weekly interview from back in 2000 and you said when you tried to show her “X-Cops” that she left the room to do the dishes saying, “Well, turn off Cops and show me some X-Files.” I feel the same way, Vince. The truth is, you did too good of a job. As a creative exercise, “X-Cops” is impressive. I mean, it’s amazingly accurate. And your dialogue, as always, had me chuckling despite myself. I have needs, though. Emotional needs. And what I need at this point in the series is a good old-fashioned X-File. “X-Cops” just isn’t fulfilling my needs right now.

It’s not a big deal. It’s just one of those things, one of those bumps in the road that every relationship has. We’ll move past it. I still love you! I still love The X-Files! Nothing’s going to change that. Nothing’s gonna spoil us.

I know it’s hard because up until now we’ve never had so much as an awkward moment. You know how I feel about “Unruhe” (4×2) and “Small Potatoes” (4×20) especially, not to mention “Paper Hearts” (4×8) and “Drive” (6×2). And then I could go on and on about your work as part of the John Gillnitz trio, but I wouldn’t want you to think I’m sucking up. I just want you to know that my love for your work has by no means diminished.

Besides… you don’t need me, Vince. You never have. Most people love this episode! Many a time I’ve read it lauded as the best episode of Season 7, so there you go. Never mind that my heart won’t accept it as an X-File. That’s a personal problem of mine.

One day soon we need to sit down over a cup of cocoa somewhere and catch up. I know you’ve been living your life and I’ve been living mine, but I miss you. I’ve been dying to tell you how haunting I thought the Breaking Bad finale was, how much I loved the way you used the song “El Paso”, and how I saw that little nod to The X-Files in the episode “Full Measure” and grinned like an idiot over it. And every time Breaking Bad comes up in conversation… and it does a lot…. I tell people, “Vince was a writer on The X-Files,” with all the pride my voice can handle.

I’m glad to know you’re out there and busy, giving lots of people the same geeky joy you give me.

And that’s why I say it’s not me, Vince. It’s you.

Yours devotedly,

Salome

Verdict:

If I’m going to be totally honest, and why not be? When the show first aired, it was right here at this episode that I remember thinking to myself, “I’m never going to love an episode the same way ever again, am I?” 

Yes. This was my personal “Jump the Shark” moment.

C+

Crack House Commentary:

This is the first of several episodes this season that smell suspiciously like fanfic, as if the cast and crew wanted to fulfill a few guilty pleasures before the show left the air.

On that note, part of me feels this whole exercise was just someone’s (cough!) excuse to fulfill the boyhood dream of riding along in a cop car all for the sake of “professional research.”

Okay, maybe it was an adulthood dream.

How could Steve and Edy really be sure it was Chantara? I feel like in that kind of neighborhood brightly colored fake nails wouldn’t be hard to come by.

I’m not superstitious, but I’ve found over the years that crazy really does come around when the moon is full.

Why are David and Gillian still gorgeous even on video?

That really cute moment when Scully hides behind the ambulance door.

That sketch artist came up with a drawing of Freddie Kruger in less than thirty seconds. I know. I counted.

Those scenes with Steve and Edy… I don’t think Mulder’s trying not to laugh I think David Duchovny’s trying not to laugh.

If you are going to do an X-Files/Cops crossover, an invisible MOTW is a wise choice. If a monster had actually shown up in the real world it would have been all over, for both the episode and the show.

Best Quotes:

Scully: Look, Mulder, you want to talk about werewolves to me you can knock yourself out. I may not agree with you but at least I’m not going to hold it against you. But this, Mulder, this could ruin your career.

Mulder: What career? Scully, I appreciate it. You don’t want me looking foolish. I do. I appreciate that.

Scully: I don’t want me looking foolish, Mulder.

——————-

Officer: My favorite part of the job – knocking down crack houses.

Dep. Wetzel: I heard that.

——————-

Dep. Wetzel: You really believe me, huh? You really believe I saw what I thought I saw?

Mulder: Yeah, I believe you.

Dep. Wetzel: Why?

Mulder: Why do I believe you?

Dep. Wetzel: Yeah. I mean, what proof do you have what I’m saying is real? I mean, it’s not… it’s not on the video tape.

Mulder: The camera doesn’t always tell the whole story.

Dep. Wetzel: And what about your partner? Does she believe me?

Mulder: I don’t think she thinks you’re lying.

Dep. Wetzel: Yeah, but what? Maybe I’m crazy? You know, I’ve been on the job 18 months– all I ever wanted to do. Right out of the gate, I get some kind of rep like I’m crazy? I mean, you know how cops are. How’s somebody supposed to live that down?

Mulder: I don’t know. Uh, I guess just do good work.

Dep. Wetzel: It’s a hard enough job already, you know?… And it’s hard to have a fast-track career in law enforcement when everybody thinks you’re nuts.

Mulder: Tell me about it.